Edward II, Sam Wanamaker Playhouse - ★★★- Until April 20, 2019


Not having previously visited The Sam Wanamaker Playhouse at The Globe, I was entranced – candle-lit and cosy. Marlowe's Edward II isn't in the class of Shakespeare, but it remains enthralling. The production is pretty straightforward and reaches a great climax with the murder of the king. During the second act the candles are slowly extinguished until at the moment of death we only have a single candle to illuminate the scene. This is all very effective. Well - it would be if the play were to have been better spoken. During the first half, lines just seemed rushed with little understanding; fortunately, things were much better after the interval. Tom Stuart as the king was excellent as was Colin Ryan as Young Spence. For me the best speaking on the stage came from Annette Badlands as Arundel (doubling as the older Mortimer). Sadly the role of powerful she-wolf Queen Isabella was thrown away by the over-parted Katie West. There is little scenery, but a copy of the beautifully tiled Cosmati Floor from Westminster Abbey covers the stage. Period musical instruments are imaginatively used. All in all, it is certainly worth a visit to experience the venue, if for nothing else.

Reviewed by D.S.J.


  Our Score:  ☆☆☆ 

Want to save on tickets? See our Tips page.

WHEN, WHERE, GETTING THERE:
March 26, 27 & 30 at 2:00 pm
March 26, 27, & 30 at 7:00 pm
April 2, 4, 6, 9, 13, 16 & 20 at 2:00 pm
April 2, 4, 6, 9, 13, 16 & 20 at 7:00 pm
Sam Wanamaker Playhouse, The Globe
Nearest tube: London Bridge
https://www.shakespearesglobe.com/whats-on-2018/edward-ii
Map & Location: Sam Wanamaker Playhouse, 21 New Globe Walk, Bankside, London SE1 9DT, United Kingdom

Most Popular

Get Down Tonight ★★★★ Charing Cross Theatre | Sep 19 - Nov 15, 2025

Image
Get Down Tonight sets out to capture the innocence and joy of a bygone era, and it succeeds quite wonderfully. The disco days and the story of Harry Casey of KC and the Sunshine Band come to life in this small musical which offers a shot of warm nostalgia for some and a much-needed escape for others. Like the Casey we meet onstage, this is an understated tale that does not take itself too seriously. The framing device of breaking the fourth wall to explore how the singer's life and the formation of his band might become a musical is gently ironic and sets the tone for the story of this laid-back, unpretentious protagonist who almost stumbles into self-awareness and stardom. Casey’s life, like his music, is about having fun and dealing with life's downside without overthinking it. The focus on the songwriter and his friends who form the band may have its moments of drama and sadness, but in this world friendship ultimately triumphs over adversity. With over twenty songs referen...
Full Details »

St. Martin in-the-fields: Lunchtime Concerts ★★★★ FREE

Image
Maybe the best musical value in London. The lunchtime concerts at St. Martin's are always a wonderful way to escape the hustle and bustle that is London and the sensory overload that is Trafalgar Square. This is a beautiful setting with great acoustics, and a church pew hard enough to make sure you don't nod off. Reviewed by J.C.  Our score:    ☆☆☆☆  WHEN, WHERE, GETTING THERE: Mon & Fri: 1 pm - 1:45 pm ( occasionally Tues & Thurs)  St. Martin in-the-fields, Trafalgar Square Nearest tube: Charing Cross https://www.stmartin-in-the-fields.org/whats-on
Full Details »

Ghost Stories ★★★ Sadler's Wells Peacock Theatre | Sep 30 - Nov 8, 2025

Image
Ghost Stories comprises three tales of supernatural encounters, framed by an academic’s sceptical perspective. Writers Jeremy Dyson and Andy Nyman have crafted a clever script that keeps the audience engaged and unsettled as a night watchman, a student, and a new father recount their chilling experiences. In today’s highly technical age, the production’s reliance on light and sound effects to create the moments of horror may appear somewhat simplistic. Nevertheless, these evocations of confrontations with the spirit world still elicit the intended gasps and nervous laughter. Indeed, a strong cast does an excellent job of drawing us into their unsettling realities. Jonathan Guy Lewis strikes just the right note as the slightly condescending professor who provides a rational counterpoint to the three narratives, while David Cardy is completely credible as the curmudgeonly warehouse caretaker confronted with an inexplicable phenomenon. Preston Nyman effectively captures the terror of bei...
Full Details »

Happy Ending ★★★★ Waterloo East Theatre | Sep 27 - Oct 26, 2025

Image
Ronnie Larsen has written an amusing two-hander that, along with some witty dialogue, reveals uncomfortable truths about the complex roles that prevarication and fantasy play in people’s lives. Jimmy Essex portrays Andy, a gay masseur who must navigate the advances of a straight client, Mr. Millar, played by Billy Walker. Andy doesn’t want to cross professional lines and risk his license, yet Mr. Millar possesses many of the qualities that he finds attractive. What follows is a cat-and-mouse seduction that ultimately exposes hidden aspects of both men. Larsen delivers a sharp, intimate piece that uses the physical closeness of massage as a metaphor for what becomes a deeper, soul-baring exchange. Both Essex and Walker strike the right balance of awkwardness and manipulation as they circle each other, and their discomfort and attraction are equally palpable. The play subtly offers some insight not only into the small deceptions we all employ to get through life but into the restricting ...
Full Details »

Hamlet ★★★ National Theatre | Sep 25 - Nov 22, 2025

Image
Hamlet is back! The National Theatre’s inaugural production was Shakespeare’s Hamlet , staged at the Old Vic in 1963. Peter O’Toole played the title role under the direction of Laurence Olivier. This new revival marks the company’s seventh staging of the classic, and director Robert Hastie and lead actor Hiran Abeysekera have some formidable shoes to fill. Abeysekera, known for his starring role in The Life of Pi , brings much of that same physicality to his portrayal of Hamlet. Rather than the traditional hesitant and melancholic prince, his version of the brooding Dane brims with restless energy. When he is not delivering the familiar soliloquies, he leaps about the stage in an acrobatic display that often borders on comedy and at times becomes distracting. Abeysekera's stated intention of injecting humour into the tragedy is evident and partially successful, although it is debatable whether it enriches the work. Francesca Mills offers an unconventional take on Ophelia, leaning ...
Full Details »

The Maids ★★★ Donmar Warehouse | Oct 13 - Nov 29, 2025

Image
Playwright and novelist Jean Genet was the quintessential outsider in post-war France. A criminal and a homosexual, he nonetheless attracted the admiration of luminaries such as Jean Cocteau and Jean-Paul Sartre. His daring literary experiments and provocative imagery in works like Our Lady of the Flowers fascinated both writers, while the layered symbolism of his plays, particularly The Maids , invites multiple interpretations. In this drama, the servants Claire (Lydia Wilson) and Solange (Phia Sabin) engage in ritualistic power games as they assume the identity of their mistress (Yerin Ha) in scenes that can be read on political, religious, existential, or erotic levels. In Kip Williams’ current staging of Genet’s best-known work, the director seems to adopt a role toward the play similar to that of the maids towards their employer, both reverent and mocking. The production moves between homage and parody, overflowing with theatrical excess. An initial curtain separating audience an...
Full Details »

(the) Woman ★★ Park Theatre | Sep 24 - Oct 25, 2025

Image
The parentheses around the word “the” in the title suggest that the author, Jane Upton, is playing on the distinction between the specific and the generic. To extrapolate from the experience of one woman to the lives of all women would seem a monumental undertaking, but that appears to be the aim. However, the play turns out to be largely another story about a writer who is striving to write a play. In this case, M struggles with her desire for professional success and with the emotionally shattering challenges of motherhood. (the) Woman seems to emerge from the familiar “write what you know” dictum so often heard in creative writing classes. It recounts a personal trauma, seeks to universalise it, and employs the increasingly hackneyed device of a play that comments on the act of playwriting. This meta-trope is ubiquitous at present. Recently, it was used to nice ironic effect in the slight but upbeat musical Get Down Tonight , which we saw earlier this week. Here, however, the techn...
Full Details »

Death on the Nile ★★★ Richmond Theatre | October 7 - 11, 2025

Image
Agatha Christie is a name to conjure with. Her books have sold in the billions, making her perhaps the most widely read author on the planet. The Mousetrap remains the longest-running play in history, while Witness for the Prosecution has enjoyed a London run since 2017. Death on the Nile , one of her most popular novels, has been adapted twice for film, twice for television, and was turned into a stage play by Christie herself in 1944. Can this latest adaptation by Ken Ludwig live up to that remarkable heritage? The sets by Mike Britton cleverly evoke both a cruise ship and The British Museum, and Sarah Holland’s costumes are eye-catching and stylish. The show has a pleasing art deco feel, and despite some initial hesitancy and rather stilted performances at the beginning, the cast eventually achieves the right balance of naturalism and stylised mannerism, which allows us to believe in Christie’s world of suspects. Unfortunately, the same cannot be said of Mark Hadfield’s Poirot. Wh...
Full Details »

Crocodile Fever ★★★★★ Arcola Theatre | Oct 17 - 22 Nov, 2025

Image
In this gruesome absurdist comedy, two very different sisters confront both the memories and the reality of an oppressive father. Playwright Meghan Tyler has crafted a darkly humorous work that shocks and amuses in equal measure. Just when you think you have seen everything, she takes the absurdity to yet another level. As in many contemporary Irish plays, this domestic conflict serves as an allegory for the island’s political divisions. Here, however, the message is presented as a wonderfully goofy and gory feast. Fianna, the free-spirited sister, rebels openly against their tyrannical parent (read as Britain). She has even served time in prison and is now linked to the IRA. Allanah, by contrast, obeys and conforms, embodying repression and religiosity as she caters to the demands of her vicious, bedridden father. At first, the sisters seem entirely opposed, but gradually they recognise their shared oppression and unite in an attempt to murder their father. That plan, however, proves ...
Full Details »

The Importance of Being Earnest ★★★★ Noël Coward Theatre | Sep 18, 2025 - Jan 10, 2026

Image
The National Theatre's updated version of Oscar Wilde's perfect comedy comes to the West End with a stellar cast. Old-fashioned footlights are set along the stage apron, but this is far from a traditional presentation of the work. Director Max Webster gives Wilde's masterpiece the Moulin Rouge treatment. A fantastically camp opening montage is followed by a production that, while respecting the basics of Wilde's play, frequently breaks the fourth wall. In addition, it has broad Vaudevillian mugging, actors humming contemporary pop tunes, and blatant sexual gesturing and innuendo. Parts of the original script are also rewritten, and lots of homoerotic business is added, which is probably intended to highlight the play’s undertones and to undermine the conventional heterosexual romances with which the work ends. Although Wilde had a complicated and ambiguous relationship with society and social norms, his own life, like his play, ostensibly conformed to both social dicta...
Full Details »

The City Life Magazine | Reviews & Ratings