St. Martin in-the-fields: Lunchtime Concerts ★★★★ FREE


Maybe the best musical value in London. The lunchtime concerts at St. Martin's are always a wonderful way to escape the hustle and bustle that is London and the sensory overload that is Trafalgar Square. This is a beautiful setting with great acoustics, and a church pew hard enough to make sure you don't nod off.

Reviewed by J.C.

 Our score:  ☆☆☆☆ 

WHEN, WHERE, GETTING THERE:
Mon & Fri: 1 pm - 1:45 pm (occasionally Tues & Thurs) 
St. Martin in-the-fields, Trafalgar Square
Nearest tube: Charing Cross
https://www.stmartin-in-the-fields.org/whats-on
Map & Location: Trafalgar Square, London WC2N 4JJ, UK

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Power of Sail – A Moral Thriller ★★★★ Menier Chocolate Factory | Mar 20 - May 12, 2024

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Sweetmeats ★★★ Bush Theatre | Feb 7 - Mar 21, 2026

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When two South Asian elders meet at a diabetes management course, romance is the last thing on the agenda. Yet in Karim Khan’s charming romantic comedy, love proves to be the sweetest item on offer. Diabetes becomes more than a medical condition. It serves as a metaphor for grief, while food stands in for the affection missing from the lives of Hema and Liaquat, both widowed and unsure whether love can return. Hema has created a combative persona, fortifying herself against further hurt. Liaquat, by contrast, is burdened by regret, haunted by feelings he never voiced. They bond over their shared weakness for sweets and the resultant diabetes, but their differences are pronounced. She is Indian and he is Pakistani. Even so, what unites them gradually outweighs what divides them. The political message is clear without being laboured. Performed by Shobu Kapoor and Rehan Sheikh, Hema and Liaquat are instantly recognisable and deeply sympathetic. We root for them to take the risk and find h...
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If. Destroyed. Still. True. ★★★ The Hope Theatre | Apr 26 - May 14, 2022

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White Christmas ★★★★ The Mill at Sonning | Nov 27, 2024 - Jan 25, 2025

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The Authenticator ★★★★★ National Theatre | Until May 9, 2026

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Avenue Q first arrived on Broadway in 2003 and, the following year, won the Tony Awards for Best Musical, Best Original Score and Best Book of a Musical. Now, twenty years after its London debut, it returns in a lightly updated production that retains the joy and warmth of the original. While some audience members will no longer know who Gary Coleman is, this Sesame-Street-for-adults show has lost none of its relevance. Its themes of underemployment, self-acceptance, mutual respect and the search for connection feel just as timely now as they did then. Sharp satire is wrapped in the velvet glove of a puppet-show-for-grown-ups and delivered with wit and affection rather than accusation. Songs such as “Everyone’s a Little Bit Racist” and “It Sucks to Be Me” continue to land well, presenting uncomfortable truths in a disarmingly approachable way. “The Internet is for Porn!” still earns knowing laughter, while “If You Were Gay” remains both funny and unexpectedly touching. The staging and...
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Emmeline is Beatrice Hyde's confidently written debut play about the Suffragette movement and the family at its heart – the Pankhursts. The writing goes behind the usual well rehearsed stories and delves into the lives of a mother and her daughters. Georgie Rhys uses her superb voice to dominate proceedings as Emmeline. This is a tortured woman dedicated to her cause but also striving to be a caring parent. The large cast also features strong performances by Charlie Hansen as Sylvia and Lily-Fleur Bradbury as Christabel. However, it is the actual presentation of the play which is truly remarkable. Time and again, there are incredible visual moments as director, Anastasia Revi, creates breathtaking images, including a stunning depiction of a protest where the campaigners are brutally beaten by the police. The women are then imprisoned: the metaphor of placing their heads in bird cages struck us as a simple but inspired idea. The force feeding of one woman is terrifyingly realistic ...
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Seurat and the Sea ★★★★★ The Courtauld Gallery | Feb 13 - May 17, 2026

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Georges Seurat’s seascapes offer a quietly mesmerising encounter with one of the most distinctive imaginations in modern art. Immediately recognisable, his pointillist technique remains as striking now as it must have been when it first appeared. Rather than blending colour on the palette, Seurat places tiny touches of pigment on the canvas and allows the viewer’s eye to complete the image. The effect is both precise and atmospheric, creating paintings that feel calm, detached and radiant with light. This exhibition is especially rewarding because it shows Seurat working through his method from sketch to finished canvas. That progression makes clear how carefully he observed the sea, the sky and the shifting conditions of light before translating them into paint. The preparatory drawings and studies reveal an artist patiently refining composition and colour, while the completed works display a controlled harmony that never feels mechanical. The two studies (nos. 19 and 20) for "Th...
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