If you have seen previous productions of Evita, or even the film, you will first need to put aside any preconceptions arising from those experiences. Jamie Lloyd's reimagining of Andrew Lloyd Webber's classic will probably enrage some as much as it will delight others. There is no attempt to realistically present events here, and not much effort to tell the story of Eva Perón. This is a raucous, raunchy, concert version of the rags to riches story of Argentina's most famous First Lady. What was previously an operatic telling of her tale and a complex study of political compromise and the corruption of power is now a theatrical experience. In this production, every number is sung at a volume of plus ten, and the energetic choreography is dialled up to the max, overwhelming any story or character development. In fact, the characters barely interact. They all play to the audience often with microphones in their hands. The set is a bare-bones affair, matching the costumes which are anachronistic and minimal. The title character spends most of her time in underwear or glittery hot pants, and on the occasions when she assumes the regalia and blonde wig associated with the iconic Evita, it seems simply a perfunctory nod to the narrative. This is also the case for the rendition of the show's ballads, such as "Another Suitcase in Another Hall," which is nicely done, but which doesn't seem to have much place in this rocking revival catering to an audience which is craving spectacle and no-holds-barred diversion. And, that is exactly what this Evita delivers. If you come to the production expecting a story or character development, you will no doubt be disappointed, but for those who just want an over-the-top theatrical evening out, this production delivers. Rachel Zegler's vocals are extraordinary, but there isn't much heart to her portrayal of Evita. The vulnerability of even her big sentimental moments is undercut by that unforgettably shallow and sexy sneer which defines her character at the beginning. Matching Zegler's flashy performance is Diego Andres Rodriguez's powerful portrayal of Che Guevara. His dance moves and voice are quite extraordinary. Unfortunately however, a lot of his ironic commentary is lost in the extravagant production numbers, but Lloyd's interpretation goes for broad comedy and bare bodies over any subtlety. On the night we attended, the cast was interrupted at various times by applause and by standing ovations which suggests the producers clearly know their audience for this show. For us, Jamie Lloyd's extravaganza recalled the pithy remark of Miss Jean Brodie, “For those who like that sort of thing, that is the sort of thing they like.”
Rated: ★★★★
Reviewed by J.C.
Photo by Marc Brenner
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