Farewell Mister Haffmann ★★★ Park Theatre | Mar 5 - Apr 12, 2025


It is 1942 and Jewish jeweller, Joseph Haffmann, decides that in order to avoid Nazi persecution he will hand over his business to his employee, Pierre. However, Haffmann's artisan has a problem of his own. Pierre and his wife desperately want a child, but he is infertile. Could Haffmann be the solution to his employee's problem, just as Pierre might be to his? The humorous possibilities seem obvious, but the situation is presented quite seriously. Haffmann and Pierre's wife, Isabelle, have some moral qualms about this arrangement, and Pierre's jealousy, when it shows itself, isn't really played for laughs. There is a sense that Farewell Mister Haffmann is uneasily caught between genres. This is neither a farce nor a drama, and it doesn't quite work as black comedy. Perhaps, the situation of Haffmann hiding in the cellar to save his life is just too grave. Similarly, when Pierre becomes acquainted with Otto Abetz, the German "ambassador" to occupied France, and Abetz and his overbearing French wife come to dinner while Haffmann pretends to be Pierre's cousin, Jean, the elements of farce rear their head. But again, the political reality of the situation may make it seem too serious for wholehearted laughter. This sense of the play uncomfortably wavering between genres is not helped in this particular production. The dialogue is rather wooden and clumsy, and the cast often seem to be reading a script which has been overly punctuated. The one exception is Nigel Harman as Abetz who comes across as suavely menacing. Farewell Mister Haffmann comes with great credentials: it is one of France’s most successful and long-running plays; it won four Molière Awards and it has been made into a film. Ultimately however, the dilemma of Haffmann and his inadvertent hosts ends up becoming subsumed in the dilemma of the audience who are unsure how we should react to this unsettling mix of drama and comedy and its somewhat stilted interpretation.

Rated: ★★★

Reviewed by J.C.
Photo by Mark Senior

When, Where, Getting there:
Map & Location: 13 Clifton Terrace, Finsbury Park, London N4 3JP, UK

Most Popular

St. Martin in-the-fields: Lunchtime Concerts ★★★★ FREE

Image
Maybe the best musical value in London. The lunchtime concerts at St. Martin's are always a wonderful way to escape the hustle and bustle that is London and the sensory overload that is Trafalgar Square. This is a beautiful setting with great acoustics, and a church pew hard enough to make sure you don't nod off. Reviewed by J.C.  Our score:    ☆☆☆☆  WHEN, WHERE, GETTING THERE: Mon & Fri: 1 pm - 1:45 pm ( occasionally Tues & Thurs)  St. Martin in-the-fields, Trafalgar Square Nearest tube: Charing Cross https://www.stmartin-in-the-fields.org/whats-on
Full Details »

Intimate Apparel ★★★★★ Donmar Warehouse | Jun 20 - Aug 9, 2025

Image
Lynn Nottage's play follows the fortunes of a young black seamstress in 1905 New York. Esther makes undergarments for the wealthy, and the central metaphor of the play is that just as her corsets control and distort women's figures to meet the dictates of fashion, all of the characters in the story find their lives defined and limited by race, gender, class and religion. From the wealthy Mrs Van Buren who must play her part in society while privately enduring a loveless marriage, to the cloth merchant, Mr Marks, whose religion does not allow him to be touched by a woman who is not in his family and which would never sanction a relationship with a black woman, everyone in Esther's world is trapped. However, it is through love and marriage that Esther hopes she will find freedom and escape from the restrictions of her situation. Although Esther's friends, the landlady Mrs Dickson and the prostitute, Mayme, counsel a life based on compromise, Esther hopes that her romantic...
Full Details »

The Ministry of Lesbian Affairs ★★★ Kiln Theatre | Jun 13 - Jul 12, 2025

Image
Iman Qureshi's delightful tale of a group of six women who come together to form a choir has much to recommend it. It is full of humour, and its political heart is in the right place. The characters are nicely drawn, and it is easy to identify both with them and with their plights: Lori's issue is that she is not out to her church-going family; Ana is determined to be politically correct at all costs, but she is also consumed by jealousy and fearful that Lori might leave her; Dina is from an Arab culture which wouldn't accept her orientation and she has an emotionally abusive husband; Fi is a wheelchair user who is going through a divorce and who has some questionable views about who should actually be part of the sisterhood; Bridget is a trans woman looking for love and acceptance; and, Ellie is a promiscuous non-binary individual who is exploring their identity. This group of songsters is presided over by Connie, the OWL (Old Wise Lesbian) who proves to be the work's ...
Full Details »

Evita ★★★★ The London Palladium | Until September 6, 2025

Image
If you have seen previous productions of Evita , or even the film, you will first need to put aside any preconceptions arising from those experiences. Jamie Lloyd's reimagining of Andrew Lloyd Webber's classic will probably enrage some as much as it will delight others. There is no attempt to realistically present events here, and not much effort to tell the story of Eva Perón. This is a raucous, raunchy, concert version of the rags to riches story of Argentina's most famous First Lady. What was previously an operatic telling of her tale and a complex study of political compromise and the corruption of power is now a theatrical experience. In this production, every number is sung at a volume of plus ten, and the energetic choreography is dialled up to the max, overwhelming any story or character development. In fact, the characters barely interact. They all play to the audience often with microphones in their hands. The set is a bare-bones affair, matching the costumes whic...
Full Details »

Showmanism ★★★ Hampstead Theatre | Jun 18 - Jul 12, 2025

Image
It's summertime and the season of fringe theatre is upon us. One-person shows, performers with niche talents and curious experimentation are among the hallmarks of this annual experience, and Showmanism certainly meets the above criteria. Created by and starring Dickie Beau whose gift is a formidable ability to lip-sync and some skill at mime, this production is a collage of various interesting commentaries about the theatre and theatrical production. The various snippets are neatly patched together, but their relevance to each other is left for the audience to determine. They run from the challenging and academic to the silly and anecdotal, and they certainly provide a quirky pastiche of commentary about the art of performance. From the acoustics of the Ancient Greek amphitheatres, to feminist questions about drag, to a reminiscence about a visit to Oberammergau, there are lots of interesting insights here, and an enormous amount of material is covered. To the proceedings, Dickie...
Full Details »

The White Chip ★★★ Southwark Playhouse, Borough | Jul 9 - Aug 16, 2025

Image
Sean Daniels' autobiographical piece recounts the heartfelt journey of Steven, tracing his steps from alcoholism to sobriety. Coming from a dysfunctional Mormon home, Daniels' protagonist at a very early age begins to use alcohol to deal with his issues. Nevertheless, by employing the same engaging charm and humour which marks this recounting of his story, Steven manages to achieve social success and to pursue a high-achieving career even as his life is falling apart. Despite an unplanned marriage, a serious traffic accident and various other crises, it is only when Steven finds himself on the side of the road contemplating suicide that he honestly comes to terms with his plight. For us, the character of Steven and Daniels' unflinching portrait of his dilemma recalled F. Scott Fitzgerald's picture of the disintegration of a drunken Dick Diver in Tender is the Night . In both cases, it is the ability of the characters to use their charm, or humour, which allows them to n...
Full Details »

Noughts & Crosses ★★★ Regent's Park Open Air Theatre | Jun 28 - Jul 26, 2025

Image
Malorie Blackman's novel was written for young adults, and this production is likely to hold considerable appeal for that demographic. The extended parable of racial injustice, woven together with a story of forbidden teenage love, would no doubt strike a chord with younger audiences. However, for older viewers, the message can feel somewhat overstated, and the love story, at times, predictable. The initial impact of reversing racial dynamics – placing Black characters, the Crosses, in a position of power over the white underclass, the Noughts – is powerful and thought-provoking. Yet, this inversion quickly loses its novelty, and the central characters, Callum and Sephy, reminiscent of Romeo and Juliet, risk feeling one-dimensional. This is undoubtedly strong, teachable material, and it’s easy to see why it remains a staple of school curricula. On stage, however, the simplicity of the plot and reliance on stock characters might be better suited to the format of a musical. With the ...
Full Details »

Diamonds and Dust ★★ Emerald Theatre | Jun 16 - Sep 28, 2025

Image
The new Emerald Theatre is a well-appointed venue that is a welcome addition to the London cabaret scene. Unfortunately, its first show, Diamonds and Dust , is a rather lacklustre offering despite some quite spectacular costuming. The main drawback of this show is the script, which simply isn't very interesting. Faye Tozer portrays, and narrates the story of, Miss Kitty LeRoy who is a gold-digging diva in the Wild West. She is a much-married card shark, and her journey is told through a series of poker hands. The humour that is the hallmark of most drag shows is notably absent here, and Tozer's attempts to solicit applause and laughter fall completely flat. Among the lip-syncing of various pop songs and lots of laboured hoofing, the first act of this cabaret show has a brief acrobatic performance which is followed up in the second act by an aerial strap display by Lady Lydia and Zoë Marshall which is the showstopper of this whole experience. The main focus of the cabaret, howev...
Full Details »

4.48 Psychosis ★★★★ Royal Court Theatre | Jun 12 - Jul 5, 2025

Image
Perhaps more performance art than play, 4.48 Psychosis only attempts to do one thing. It seeks to create for the audience the experience of psychosis, and it manages to do so with a terrifying veracity. The audience is immersed in the anger, despair and desperation of individuals who are on the verge of taking their own lives as they can find no relief from their pain in either doctors or drugs. It is a gruelling 70 minutes of theatre, and when one of the characters says she feels as if she is being manipulated, the audience can probably wholeheartedly identify with that feeling. And, that may be an issue for this experience; for with the sense of emotional manipulation, comes withdrawal and distancing. Based on some of the darkly humorous comments we overheard as we left the theatre, this reaction may have been the case for several audience members. The sheer intensity of work had probably forced them out of the moment, and may ultimately have defeated the writer's purpose of eng...
Full Details »

Till The Stars Come Down ★★★★★ Theatre Royal Haymarket | Jul 1 - Sep 27, 2025

Image
Beth Steel has a wonderful ear for dialogue and her Till The Stars Come Down is a brilliantly evocative piece. Although it is set in a very specific time and place, it manages to recall everyone's family and to create the timeless reality of family gatherings. The day of Sylvia and Marek's wedding begins simply enough. The three sisters, Hazel, Maggie and Sylvia are joined by Aunty Carol and the women put on their make-up for the big day. Amidst these preparations for the milestone occasion, there is the predictable banter, sniping and laughter - and, of course, there are hitches. The crisis of the dress that doesn't fit is fortunately resolved when the wedding gown of the sisters' late mother serves as a replacement. Then, there is the wedding reception. Despite the dinner being laced with references to old feuds, suggestions of secret liaisons and some casual racism, everything is smoothed over and appearances are maintained. However, when Act I ends there is a del...
Full Details »

The City Life Magazine | Reviews & Ratings