This delightful new musical is loosely based on F. Scott Fitzgerald's short story of the same name, and it reflects the author's obsession with the irreversible nature of time and its effect on love. In The Great Gatsby, the protagonist had a doomed determination to hold onto the past and to believe that his youthful infatuation could triumph over time. Here, Benjamin's love and happiness are threatened by the fact that, unlike other people, he is becoming younger. His soulmate, Elowen, may age, but he is fated to become even more youthful than his own children. This current version of Fitzgerald's fable is set in Cornwall, and the score of the show benefits from the infectious rhythm and melodies associated with Celtic music. Darren Clark's score is both catchy and moving. Songs like "Matter of Time," "The Moon and The Sea" and "A Little Life" not only advance the narrative, but are memorable in their own right. The story is recounted by an amazing cast who not only sing and act but serve as both a chorus and the band for the piece. They move seamlessly from telling the story to acting out the various characters in it. It is a neat directorial strategy that is brilliantly executed. As Benjamin Button, John Dagleish manages the near impossible task of becoming younger before our eyes. He puts in a truly remarkable performance and brings a fine voice to the role. In both characterisation and vocal skills he is nicely matched by Clare Foster who plays Benjamin's love interest, Elowen. There's only one issue which might inhibit one's total surrender to the delights of this show: the capacity to suspend disbelief regarding Fitzgerald's absurd premise. A woman giving birth to a fully clothed adult man who, after being born old, gradually becomes younger may be a sticking point for some. However, if that trick of imagination can be managed, this is a show that has an engaging energy and an irresistible charm.
Rated: ★★★★
Reviewed by J.C.
Photo by Marc Brenner
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