All the elements of a panto are present. There's lots of outrageous puns, audience participation and a silliness that should delight all ages. However, Charles Court Opera also add some excellent voices to the mix. The parodies of tunes from ABBA to Bonnie Tyler have some clever lyrics from David Eaton, and the cast articulate them with voices that are definitely a cut above the usual holiday efforts. While wildly ahistorical, it is also refreshing to have a panto that starts from a historical premise rather than the usual fairytale fare, and John Savournin's book provides a nice variation on the familiar formula. With any panto, pace is everything, and Director Savournin definitely keeps things moving. Just as one registers how corny the last joke was, another groaner has already been delivered. Matthew Kellett is a suitably villainous Napoleon who is haunted by the hilarious Rosie Strobel who is playing the rather randy ghost of Marie Antoinette. Jennie Jacobs puts in a nice turn as Wellington and, yes, there are lots of references to his eponymous beef dish. However, it is Elliot Broadfoot as King George III who almost steals the show. His energy seems boundless, and his manic joy is infectious. Nicely counterpointing that performance is that of Amy J Payne as the king's fictitious daughter, Georgina, whose feminist principles are the only thoughtful note in this piece. Payne, who is very funny as the cross-dressing princess, also brings a seriously strong voice to her performance. If you are limiting yourself to only one pantomime this season, then Napoleon: Un Petit Pantomime would be our recommendation.
Rated: ★★★★★
Reviewed by J.C.
Photo by Alex Brenner
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