The Grapes of Wrath ★★★★ National Theatre | Jul 17 - Sep 14, 2024


The themes of John Steinbeck's classic about the drought and depression of the 1930s clearly resonate with today's headlines. The devastating results of environmental abuse leading to migration in search of a better life has a heartbreakingly contemporary ring. The increasing concentration of wealth into the hands of the few, and the desperation of an underclass seeking work which pays well enough to allow them to have a decent home, is certainly a timely topic. One cannot help but be moved by the sad state of the Joad family, and Steinbeck's sympathy for their plight and his clarion call for action definitely come through in this production. However, the epic nature of the novel and its multitude of characters tend to overwhelm Frank Galati's attempt to adapt it for the stage. There is a certain ponderousness to the presentation and the individuals in the family don't really develop beyond an epithet. Harry Treadaway does a strong turn as irascible and militant Tom Joad. Cherry Jones is a wonderfully maternal and optimistic Ma Joad, and Greg Hicks is convincing as the dour and determined Pa Joad. Also putting in a fine performance is Natey Jones who as the disillusioned preacher, and Steinbeck spokesperson, has come to believe that the indomitable nature of humanity is the only true holy spirit. While the musical contributions of Maimuna Memon and the band definitely added to the atmosphere of the production, one might question their inclusion when there is so little time for serious character development. Nevertheless, one of the strong points of the production is its atmosphere created by Alex Eales' set design and Guy Hoare's lighting. Along with Evie Gurney's costumes they perfectly invoke a bleak twilight past that may foreshadow our own dark future.

Rated: ★★★★

Reviewed by J.C.
Photo Richard Hubert Smith

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