Dürer’s Journeys: Travels of a Renaissance Artist ★★★★★ The National Gallery | Nov 20, 2021 - Feb 27, 2022


Dürer's journeys were so much more than tourism. This exhibition which traces his three trips abroad offers a fascinating look at how his art develops in response to his travels and to contemporary artists whom he met. Too often known simply for his engravings and his woodcuts, the Dürer we see here produced masterpieces in a variety of media including pen and ink, charcoal, and oil. We also see his variety of subject matter, from the pious religious pictures to the sensitive and thoughtful portraits. The artist was the consummate technician and his studies of animals, human anatomy and garments are quite stunning. The exhibition also exposes the wonderfully human side of Dürer, giving us access to his frank and informative journals and letters. There are so many threads that might be followed through this quite brilliantly curated show, but the one that struck us was the artist's treatment of the oft depicted Saint Jerome. The first woodcut we have by Dürer is from 1492. It depicts the saint and confirms the artist's burgeoning talent and developing skills. And then in 1514, we have an iconic engraving of the same subject stunning in its use of light and creation of space. The saint is in his study and his halo emphasises his beatitude. Coming under the influence of Luther and, perhaps, anticipating his own demise, Dürer gives us a very different look at the saint in 1521. Here is a man struggling to express his faith and to come to terms with his mortality. This Jerome, more human than saint, is beautifully and movingly portrayed and is a fitting note to close on. Take your time to peruse this exhibition. Your journey will be rewarded for every moment spent here.

Rated: ★★★★★

Reviewed by J.C.
Image: Albrecht Dürer, Saint Jerome, 1521 © Instituto Portugues de Museus, Minstero da Cultura, Lisbon

When, Where, Getting there:
Map & Location: Trafalgar Square, London WC2N 5DN, UK

Most Popular

Orphans ★★★★ Jermyn Street Theatre | January 5 - 24, 2026

Image
Phillip is an emotionally immature, developmentally challenged recluse, protected and controlled by his impulsive and potentially violent older brother Treat who supports them both by stealing. Together they inhabit a sealed world of rituals, games, and shared fantasy. However, when Treat kidnaps Harold, an apparently wealthy criminal on the run, this act proves far from the solution he expects. Instead, the power dynamic shifts as Harold, himself an orphan, assumes an almost parental role, exposing the brothers to an alternative way of living beyond their self-made confinement. In just two weeks, he becomes a conduit to the outside world and offers the boys a new vision of themselves. Harold’s repeated rendition of “The Prisoner’s Song” underscores the play’s central metaphor of entrapment. Phillip is paralysed by his fear of leaving the apartment, Treat by his reliance on violence and control, and Harold by his desperate attempt to outrun the past. While Lyle Kessler’s dark vision e...
Full Details »

St. Martin in-the-fields: Lunchtime Concerts ★★★★ FREE

Image
Maybe the best musical value in London. The lunchtime concerts at St. Martin's are always a wonderful way to escape the hustle and bustle that is London and the sensory overload that is Trafalgar Square. This is a beautiful setting with great acoustics, and a church pew hard enough to make sure you don't nod off. Reviewed by J.C.  Our score:    ☆☆☆☆  WHEN, WHERE, GETTING THERE: Mon & Fri: 1 pm - 1:45 pm ( occasionally Tues & Thurs)  St. Martin in-the-fields, Trafalgar Square Nearest tube: Charing Cross https://www.stmartin-in-the-fields.org/whats-on
Full Details »

ABBA Voyage ★★★★★ ABBA Arena, Queen Elizabeth Olympic Park | Extended Run

Image
When great music from the past meets mind boggling technology from the future, the result is ABBA Voyage . This is a concert like no other. In a purpose built arena designed specifically for the show, massive high resolution LED screens, advanced lighting, and surround sound are used to create a fully immersive ABBA concert experience. Although the group’s last appearance in London was at Wembley Arena in 1979, they return technologically in this extraordinary production. These are not holograms or AI generated performances. This is a meticulously animated concert based on real performances by the band themselves. To achieve this effect, the group came together and re-performed their music using motion capture technology. They partnered with top visual effects experts to digitally recreate their younger selves. While the show includes a live band and backup singers, the Agnetha, Björn, Benny, and Anni-Frid seen on stage appear every bit as real as their original counterparts. One quick...
Full Details »

Hawaiʻi: a kingdom crossing oceans ★★★★ The British Museum | Jan 15 - May 25, 2026

Image
This small yet thoughtful exhibition explores the long-standing connections between two island nations. The relationship between Britain and Hawaiʻi dates back to Captain James Cook’s third voyage in 1778. He became the first European to document contact with the Pacific archipelago and that connection still resonates today, most visibly in the Hawaiian state flag (Ka Hae Hawaiʻi), which continues to display the Union Jack in its top-left corner. This display at the British Museum draws primarily on the museum’s own extensive collections, complemented by judicious loans from other institutions, including the Bishop Museum in Hawaiʻi. It is organised into three main sections: Laying a foundation, Allying kingdoms , and Reshaping relationships . The first section introduces visitors to Hawaiʻi's distinctive art, history, and cultural traditions. The second focuses on the 1824 visit of King Kamehameha II (also known as Liholiho) and Queen Kamāmalu to London, and on their tragic deaths...
Full Details »

Gerry & Sewell ★★ Aldwych Theatre | January 13 - 24, 2026

Image
Gerry & Sewell presents itself as a theatrical pot o’ scouse. The traditional Tyneside dish, made from whatever meat, bones, or leftovers can be found in the cupboards, is a hearty working-class meal that reflects both Geordie ingenuity and endurance. The play clearly intends to offer a similar tribute to its roots. However, in the production, the disparate elements fail to cohere. The main storyline of the two eponymous protagonists and their shared dream of securing season tickets to their beloved football club is obscured rather than enriched by histories of Gerry’s two sisters, his abusive father, and his suicidal mother. While this material provides background about inheritance, damage, and class survival, it feels simultaneously excessive and underdeveloped. Tonally, the show is also jarring. It shifts rapidly between social realism and broad comedy, with these alternations feeling less like deliberate contrasts and more like unresolved collisions. Dance routines, rapping, a...
Full Details »

Paranormal Activity ★★★ Ambassadors Theatre | Until April 25, 2026

Image
The Paranormal franchise has a proven following, and horror fans are likely to enjoy this new stage incarnation. When James and Lou relocate from Chicago to London in search of a fresh start, it soon becomes clear that leaving their problems behind will not be so easy. He has a new job and she can work remotely, yet, as the programme hints, hauntings are not always tied to places. Sometimes they attach themselves to people. James must contend with his prying, Bible-quoting mother via a laptop screen, while Lou quickly realises that her grandchild- obsessed mother-in-law is the least of her concerns. Darkness, sudden loud noises and the occasional effective illusion are used to draw the audience into their increasingly unstable world. While this production recalls the successful 2:22 A Ghost Story and the long running The Woman in Black, it lacks the technical ingenuity of a show like Stranger Things: The First Shadow . Fly Davis’s set is a meticulously detailed two storey house, but ...
Full Details »

High Noon ★★★ Harold Pinter Theatre | Until March 6, 2026

Image
When it was first written, the 1952 film High Noon drew much of its force from the then political context and from Gary Cooper’s Oscar-winning performance. Created during the era of McCarthyism by Carl Foreman while he was under scrutiny from the House Un-American Activities Committee, the film’s moral urgency, combined with Cooper’s quiet integrity, helped secure its status as a classic. The tale of a small-town marshal who confronts an anarchic threat to the rule of law struck a deep chord with audiences. In this allegory, Will Kane stands isolated as he faces an approaching tyranny that leaves his fellow citizens paralysed by fear. Set against their timidity and willingness to submit to intimidation or to flee, his resolve appears all the more heroic. Kane’s ordeal is further complicated by the two opposing forces that inform his personal life and underscore his symbolic role as the law. His Quaker wife embodies noble but impractical ideals, grounded in a faith that rejects violenc...
Full Details »

BIGRE / “Fish Bowl” ★★★★ Sadler's Wells Peacock Theatre | Jan 28 - 31, 2026

Image
The art of mime has deep theatrical roots in France, evolving from commedia dell’arte and 19th-century pantomime into a modern form centred on gesture, silence, and physical storytelling. In the 20th century, Marcel Marceau elevated mime to international prominence through his character Bip and his poetic, wordless exploration of human emotion. At the same time, filmmaker Jacques Tati brought mimetic comedy to cinema, using precise physicality and keen observation to satirise modern life through his iconic Monsieur Hulot. This tradition is closely linked to silent film comedy, where meaning is carried through movement rather than speech. Like Marceau and Tati, silent-era figures such as Charlie Chaplin and Buster Keaton relied on gesture, timing, and physical invention to convey character and emotion, revealing a shared visual language of humour and poetry beyond words. The Compagnie Le Fils du Grand Réseau continues this lineage by translating French mime and visual comedy into a con...
Full Details »

Beautiful Little Fool ★★ Southwark Playhouse, Borough | January 15 - Feb 28, 2026

Image
The story of Scott and Zelda Fitzgerald is a love affair and a tragedy seemingly made for the stage. He was a brilliant writer who descended into alcoholism and was largely forgotten by the time of his death. She was his muse, and possibly his collaborator, who died in a fire at the asylum where she had finally found some measure of peace. Together, they came to symbolise the Jazz Age, that feverish period of reckless hedonism between the world wars, driven by aimlessness and quiet despair. In Beautiful Little Fool , their story is narrated by their only daughter, Scottie, as she wanders through an archive filled with the remnants of her parents’ lives. One of the challenges of dramatising real people is shaping a narrative that serves a clear purpose while leaving out biographical details that, though intriguing, do not fit thematically. The musical never fully overcomes this challenge. Unnecessary anecdotes, such as the story of Gertrude Stein coining the term “Lost Generation,” appe...
Full Details »

Woman in Mind ★★★★★ Duke of York's Theatre | Until February 28, 2026

Image
Alan Ayckbourn’s 1985 dark comedy Woman in Mind dissects the illusions we cling to in order to make life bearable. Trapped in a sexless, emotionally barren marriage, Susan retreats into fantasy, inventing an ideal family in which she is cherished and admired. Around her, others nurse their own comforting fictions: her husband, a vicar, takes refuge in Christian certainty; her sister-in-law embraces spiritualism; her son disappears into a cult; and her doctor cultivates a wilful obtuseness that allows him to ignore his wife’s blatant affair. Each illusion functions as a psychological prop, easing acceptance of relationships and realities that fall short of fulfilment. Ayckbourn’s question is a chilling one: what happens when illusion hardens into delusion, and fantasy supplants the ability to live in the real world? The play lays bare the cost of surrendering to make-believe when escape becomes entrapment. Michael Longhurst’s revival captures the bleak humour of Ayckbourn’s vision with...
Full Details »

The City Life Magazine | Reviews & Ratings