Many one-person shows are representative of an increasingly popular genre - the theatre of personal catharsis. Elephant written, composed and performed by Anoushka Lucas is no exception, but it is a truly first rate example of its type. Lucas' character, Lylah, is the child of Indian, Cameroonian, French and English heritage who strives to come to terms with the issues of race and class that form the context of her socialisation and ambivalent sense of self. As an individual she is brought up to assimilate into a white middle-class society, but as a professional musician she is faced with an industry that wants to accentuate her race and working-class roots, denying the complexity of who she is. Lylah's struggle with issues of self-acceptance becomes tangled into her desperate desire to be accepted by others as she attempts to become an individual who is not defined by the racial and class lenses that both she, and others, constantly see her through. Indeed, her brief ponderin...
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