Theatre: At the Door Discounts

Day Tickets / Tickets at the Door

Some theaters sell reduced price tickets on the day of the performance. These are often front row seats, but may also include other seats unsold for that day. Times vary for the release of these tickets, but it is often at 10:00 am or when the box office opens on the day of the performance. It is usually advisable to arrive earlier as there may be a queue for popular shows.

 Contact the theater directly to see if they have day tickets and when they are released.
Returned Tickets

People often return tickets to the theatre for resale and 90 minutes before a show starts, ticket agents send their tickets back to the boxoffice. Returns may be sold at regular or discounted prices. For popular shows, there is often a queue for returned tickets.

Contact the theatre for returns procedures.


 Concessions

 Some theatres have reduced price tickets for students, senior citizens and jobseekers. Theatres also offer a free ticket for the companion of a disabled person paying full price.

Contact the theater for their concessions’ policy.


 Standing Room Tickets

 Some theatres offer Standing Room Tickets for sold-out shows. These can be purchased at the box office.

The Royal Court Theatre in Sloane Square (Chelsea) offers standing tickets at 10p for a limited number of tickets on sale an hour before performances at the Jerwood Theatre Downstairs. Tickets are only available in person and are restricted to one per person. Each ticket offers a 'restricted view' and they're subject to availability.

Most Popular

St. Martin in-the-fields: Lunchtime Concerts ★★★★ FREE

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Maybe the best musical value in London. The lunchtime concerts at St. Martin's are always a wonderful way to escape the hustle and bustle that is London and the sensory overload that is Trafalgar Square. This is a beautiful setting with great acoustics, and a church pew hard enough to make sure you don't nod off. Reviewed by J.C.  Our score:    ☆☆☆☆  WHEN, WHERE, GETTING THERE: Mon & Fri: 1 pm - 1:45 pm ( occasionally Tues & Thurs)  St. Martin in-the-fields, Trafalgar Square Nearest tube: Charing Cross https://www.stmartin-in-the-fields.org/whats-on
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Hedda ★★★★ Orange Tree Theatre | Oct 18 - Nov 22, 2025

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In her adaptation of Ibsen's Hedda Gabler , Tanika Gupta largely follows the original narrative while introducing a new element: Hedda is portrayed as an Anglo-Indian film star who must conceal her origins due to pervasive racism in society and the movie industry. This reimagined aspect draws on the career of Merle Oberon, a film icon of the late 1930s and early 1940s who was only later revealed to be of mixed-race parentage. To succeed in Hollywood, Oberon claimed to be from Tasmania and often asserted Armenian heritage. In Gupta's version, Hedda remains Ibsen's bored, desperate woman who capriciously inflicts pain on those around her, but her motivations are expanded. She struggles not only with the constraints imposed on women by society, but also with the prejudice of a world that would never accept a mixed-race film star. The play is filled with the characters' casual racist remarks and an unmistakable colonial condescension, creating an atmosphere that illuminates...
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Crocodile Fever ★★★★★ Arcola Theatre | Oct 17 - 22 Nov, 2025

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In this gruesome absurdist comedy, two very different sisters confront both the memories and the reality of an oppressive father. Playwright Meghan Tyler has crafted a darkly humorous work that shocks and amuses in equal measure. Just when you think you have seen everything, she takes the absurdity to yet another level. As in many contemporary Irish plays, this domestic conflict serves as an allegory for the island’s political divisions. Here, however, the message is presented as a wonderfully goofy and gory feast. Fianna, the free-spirited sister, rebels openly against their tyrannical parent (read as Britain). She has even served time in prison and is now linked to the IRA. Allanah, by contrast, obeys and conforms, embodying repression and religiosity as she caters to the demands of her vicious, bedridden father. At first, the sisters seem entirely opposed, but gradually they recognise their shared oppression and unite in an attempt to murder their father. That plan, however, proves ...
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Mr Jones ★★★★ Finborough Theatre | Oct 28 - Nov 22, 2025

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On 21 October 1966, the small Welsh village of Aberfan became the site of a heartbreaking disaster that captured the world’s attention. When 150,000 tonnes of mining waste cascaded down a hillside, engulfing the local school and killing 144 people, including 116 children, the world mourned the senseless loss. The sheer scale of such horrors can make them seem almost abstract, and their incomprehensible nature often leaves us numbed. In this powerful two-hander, playwright Liam Holmes brings the Aberfan tragedy vividly to life by focusing on one young couple caught in its shadow. Stephen Jones is a carefree teenager whose ambitions reach no further than becoming the village rugby star and courting his childhood sweetheart, Angharad. Content with his simple dreams, he believes himself to be winning at the game of life. Holmes, as Stephen, and Mabli Gwynne, as Angharad, both deliver deeply moving performances. Their innocent affection and flirtatious banter feel as authentic as their late...
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The Maids ★★★ Donmar Warehouse | Oct 13 - Nov 29, 2025

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Playwright and novelist Jean Genet was the quintessential outsider in post-war France. A criminal and a homosexual, he nonetheless attracted the admiration of luminaries such as Jean Cocteau and Jean-Paul Sartre. His daring literary experiments and provocative imagery in works like Our Lady of the Flowers fascinated both writers, while the layered symbolism of his plays, particularly The Maids , invites multiple interpretations. In this drama, the servants Claire (Lydia Wilson) and Solange (Phia Sabin) engage in ritualistic power games as they assume the identity of their mistress (Yerin Ha) in scenes that can be read on political, religious, existential, or erotic levels. In Kip Williams’ current staging of Genet’s best-known work, the director seems to adopt a role toward the play similar to that of the maids towards their employer, both reverent and mocking. The production moves between homage and parody, overflowing with theatrical excess. An initial curtain separating audience an...
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The Assembled Parties ★★★ Hampstead Theatre | Oct 17 - Nov 22, 2025

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Richard Greenberg’s The Assembled Parties contrasts an American Jewish family’s celebration of Christmas in 1980 with that of 2000. Over those twenty years, both the family and the American political landscape change significantly. Although there may be a connection between these two developments, it is only faintly suggested. Indeed, it is difficult to determine the play’s central theme or even its main storyline. In the first act, several subplots are introduced, but in the second only one reaches a partial resolution, and it feels more like an anecdote than a complete narrative. Perhaps the real focus lies in the contrasting ways of engaging with the world embodied by Julie, the hostess of the unusual Jewish Christmas gathering, and her sister-in-law Faye. Julie, though insightful, remains relentlessly optimistic despite the family’s underlying tensions. She maintains a cheerful façade, adhering to social expectations while ignoring unpleasant truths. In contrast, Faye’s sharp and ...
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Death on the Nile ★★★ Richmond Theatre | October 7 - 11, 2025

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Agatha Christie is a name to conjure with. Her books have sold in the billions, making her perhaps the most widely read author on the planet. The Mousetrap remains the longest-running play in history, while Witness for the Prosecution has enjoyed a London run since 2017. Death on the Nile , one of her most popular novels, has been adapted twice for film, twice for television, and was turned into a stage play by Christie herself in 1944. Can this latest adaptation by Ken Ludwig live up to that remarkable heritage? The sets by Mike Britton cleverly evoke both a cruise ship and The British Museum, and Sarah Holland’s costumes are eye-catching and stylish. The show has a pleasing art deco feel, and despite some initial hesitancy and rather stilted performances at the beginning, the cast eventually achieves the right balance of naturalism and stylised mannerism, which allows us to believe in Christie’s world of suspects. Unfortunately, the same cannot be said of Mark Hadfield’s Poirot. Wh...
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Mary Page Marlowe ★★★ The Old Vic | Sep 23 - Nov 1, 2025

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The central metaphor for Mary Page Marlowe is a quilt, the sewn-together collection of patches of cloth, which may, or may not, have a pattern or a theme. To achieve the quilt effect in her play, writer Tracy Letts gives us a series of scenes in the life of her central character. This is done via the ubiquitous and overused technique of presenting material in a non-linear fashion. The audience is then left with the task of taking what are apparently random instances and piecing them together into a whole which will provide some insight into the titular character. This is no easy task since with three husbands plus affairs Mary Page has led a rather complicated life, not to mention issues with addiction, motherhood, and prison. Indeed, it would be no surprise if audience members, like Mary Page herself, had difficulty finding the thread and end up being challenged to understand how it all fits together. Disappointment, dissatisfaction and despair all play their parts, but surely auth...
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The Line of Beauty ★★★★ Almeida Theatre | Oct 21 - Nov 29, 2025

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Like Lambert Strether from The Ambassadors and Charles Ryder from Brideshead Revisited before him, Nick Guest also wanders into an upper class world of amoral complexity which both bewilders and challenges him. In Jack Holden's dramatic adaptation of Alan Hollinghurst's novel, The Line of Beauty , the focus is on the enduring British obsession with class, intertwined with a historical examination of the evolution of gay rights during the AIDS pandemic. The relationship of aesthetic absolutism to ethical relativism, with the pursuit of the line of beauty leading to an obsession with a line of cocaine, is referenced, but it remains largely under explored. This is unfortunate since it is that theme which is perhaps the most subtly and interestingly developed in Hollinghurst's novel. Nevertheless the production is a powerful family drama which carries the audience along as Nick deals with being an openly gay man in Thatcher's Britain and being caught between two echelons ...
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Two Strangers (Carry a Cake Across New York) ★★★★★ Criterion Theatre | Apr 4 - Aug 31, 2024

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She's a rather cynical, world weary New Yorker. He's a naïve, overly enthusiastic Brit. They are brought together by his father's wedding to her sister, and they have nothing in common except the capacity for some extremely amusing barbs and banter. We all know how this is going to end, but the fun is in the emotional journey and its satisfyingly comfortable conclusion. Not surprisingly, it turns out that his relentless optimism and her wary skepticism both mask disappointments and losses which they will come to terms with as they carry their shared burden across the Big Apple and come to know each other. This is a delightful two-hander that is intended as a romcom for millennials, but like all representatives of the genre it ultimately depends on the chemistry of its principals. Both Sam Tutty as Dougal and Dujonna Gift as Robin bring their A-game to these performances. They are immediately likeable, and we are instantly rooting for them. Tutty exudes a puppy-like charm an...
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The City Life Magazine | Reviews & Ratings