Theatre: At the Door Discounts

Day Tickets / Tickets at the Door

Some theaters sell reduced price tickets on the day of the performance. These are often front row seats, but may also include other seats unsold for that day. Times vary for the release of these tickets, but it is often at 10:00 am or when the box office opens on the day of the performance. It is usually advisable to arrive earlier as there may be a queue for popular shows.

 Contact the theater directly to see if they have day tickets and when they are released.
Returned Tickets

People often return tickets to the theatre for resale and 90 minutes before a show starts, ticket agents send their tickets back to the boxoffice. Returns may be sold at regular or discounted prices. For popular shows, there is often a queue for returned tickets.

Contact the theatre for returns procedures.


 Concessions

 Some theatres have reduced price tickets for students, senior citizens and jobseekers. Theatres also offer a free ticket for the companion of a disabled person paying full price.

Contact the theater for their concessions’ policy.


 Standing Room Tickets

 Some theatres offer Standing Room Tickets for sold-out shows. These can be purchased at the box office.

The Royal Court Theatre in Sloane Square (Chelsea) offers standing tickets at 10p for a limited number of tickets on sale an hour before performances at the Jerwood Theatre Downstairs. Tickets are only available in person and are restricted to one per person. Each ticket offers a 'restricted view' and they're subject to availability.

Most Popular

Your Lie In April – The Musical in Concert ★★★★★ Theatre Royal Drury Lane | April 8 & 9, 2024

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Based on the popular Manga of Naoshi Arakawa, Your Lie In April – The Musical in Concert tells the story of a young, prize-winning pianist who has lost his ability to hear the piano after his mother's death. The passing of his perfectionist parent has led Kōsei, played by Zheng Xi Yong, to abandon his vocation and to sink into despair. Although supported by his friends, Ryōta and Tsubaki, it is not until the enthusiastic and free-spirited violinist, Kaori, comes along that he begins to rediscover his aptitude for music. This is a modest little love story that is unabashedly sentimental, but it has a magic that will melt even the hardest heart. Frank Wildhorn has written a lovely score and songs like "Just Like A Movie" and "One Hundred Thousand Million Stars" are instantly relatable. The in-concert version of the show exposed a few wrinkles that still need to be ironed out, but the simplicity of this presentation nicely complemented the unpretentious nature of
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St. Martin in-the-fields: Lunchtime Concerts ★★★★ FREE

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Maybe the best musical value in London. The lunchtime concerts at St. Martin's are always a wonderful way to escape the hustle and bustle that is London and the sensory overload that is Trafalgar Square. This is a beautiful setting with great acoustics, and a church pew hard enough to make sure you don't nod off. Reviewed by J.C.  Our score:    ☆☆☆☆  WHEN, WHERE, GETTING THERE: Mon & Fri: 1 pm - 1:45 pm ( occasionally Tues & Thurs)  St. Martin in-the-fields, Trafalgar Square Nearest tube: Charing Cross https://www.stmartin-in-the-fields.org/whats-on
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Naked Boys Singing, The Garden Theatre at The Eagle - ★★★★ - Until October 25, 2020

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There is still a certain taboo around naked men on stage. Well, Naked Boys Singing firmly grasps the nettle and does exactly what it says on the tin. If the sight of naked guys singing and dancing is shocking for you, this musical revue should probably be avoided, but you'd be missing a lot of good clean fun. There is plenty of talent on display and the six guys perform splendidly; perhaps, one or two of the voices would be helped by microphones but the lack of costumes would make that difficult. So sing up boys! We're not watching 'great art' here, but several of the numbers stand out including "The Entertainer", "Robert Mitchum" and especially "Perky Little Porn Star." One hilarious song reminds a lonely man that the solution to his problem is in his own hands. There is also a beautifully sung chorale using the multifarious names for the male member! It would be invidious to single out individual cast members as all have plenty of opport
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Sister Act – The Musical ★★★★ Dominion Theatre | Mar 15 - Aug 31, 2024

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The nun on the run is back in London! This is a show full of silliness and outrageous fun. A mobster's moll who's seen a murder hides out in a convent, and during her sojourn in witness protection, she transforms the nunnery while also gaining some new perspective on her own life. However, despite its spiritual setting, this isn't a show that leaves the audience asking existential questions. It's just a good old-fashioned, razzle-dazzle-em musical. The plot is thin, the characters familiar and the outcomes predictable, but that's all just fine if you get into the spirit of things. Beverley Knight is a delight as Deloris van Cartier the soul sister who brings the boogie to the cloister's choristers, and Ruth Jones is hilarious as the skeptical Mother Superior who finally catches the rhythm. We loved Knight's "Sister Act" and Jones' "I Haven't Got A Prayer" was a definite highlight. Lizzie Bea, as the postulant Sister Mary Robert,
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Life with Oscar ★★★ Arcola Theatre | April 2 - 20, 2024

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Life with Oscar is less a play than it is a personal and professional exorcism. The show is an exposé of writer/actor Nick Cohen's origins, ambitions and encounter with the hollowness that is Hollywood. The piece chronicles three generations of Cohen's family and his experience trying to get a film made. As the child of immigrants who have left their roots to pursue success in a new world, the little golden statuette of Oscar comes to represent for Cohen the ultimate symbol of achievement, not simply in a film career but in life itself. In his narrative, Cohen plays an amazing 29 characters, and he manages to bring them all to life. From the bombastic father to the self-effacing mother, and from the sleazy producer to his drug-addled daughter, all the personalities emerge as recognisable individuals. However, while the performance is dazzling, none of the characters are really developed. They remain simply nicely sketched types. The story itself is familiar territory: a tormen
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Power of Sail – A Moral Thriller ★★★★ Menier Chocolate Factory | Mar 20 - May 12, 2024

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The bon mot that academic politics are so vicious precisely because the stakes are so small has various attributions, and its history of apparently being "borrowed" is not without some irony. Set in the context of a debate about free speech, Paul Grellong has written a piece that is less a moral thriller and more of a satire. It is really about the pettiness and lack of principle involved in navigating one's way through the choppy seas of academia. The play doesn't really do much to advance the debate about finding the line between hate speech and free speech, but it is a clinical dissection of the mendacity and petty ambition that infects the environment of those who are supposedly charged with exploring and refining that important distinction. Apparently under the rubric of free speech, Harvard professor Charles Nichols (Julian Ovenden) has invited a well-known white supremacist to participate in a panel at the university. The students are outraged and the dean is
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Opening Night ★★ Gielgud Theatre | Until July 27, 2024

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This is a play, based on a film, that is about the making of a play that is being filmed for a documentary and which suggests the audience's reality is also a construction. It is all very meta, but unfortunately, it is not very interesting. Opening Night , based on John Cassavetes' film of the same name, looks at the struggles of leading actress, Myrtle Gordon. The diva is horrified by the fact that she is aging, and she strives to reconnect with her past artistic inspiration which she identifies with her youth. When she sees a girl, who is a super fan, killed outside the theatre, Myrtle attempts to channel the adolescent's spirit in order to play a character for whom the star feels no affinity in a play for which she is only reluctantly rehearsing. No doubt fuelling Myrtle's aesthetic and existential despair is the fact that she drinks to excess. It is all quite sad, yet perhaps intentionally, not very engaging. All the layers of artifice and the one dimensional natur
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Priscilla The Party! ★★★★ HERE at Outernet | Until September 29, 2024

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Priscilla is back! If you've seen the film and enjoyed the musical, now you can experience the party. The story is unchanged. Three Australian drag queens set out to do a show in Alice Springs. On their odyssey through the outback, there's some unsurprising prejudice, some unanticipated openness, unexpected secrets and an unforeseen love story. In this version the tale is narrated by the raucous and ribald Gaye Cliché (Trevor Ashley) who proves to be a tour guide par excellence. But this evening isn't really about story-telling. The aim is to immerse the audience in the wonderfully over-the-top world of our three sojourners, and the show succeeds with flying colours. It has an irresistible sing-along, sway-along score including classics like "It's Raining Men," "Go West," and "Born This Way." Set and scenery designers Brian Thomson and Justin Nardella have imaginatively used the space and video designs to create a wonderfully effervescent d
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Player Kings ★★★★★ Noël Coward Theatre | Apr 1 - Jun 22, 2024

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Shakespeare's Henry IV Part I and Part II deal with young Prince Hal and the rather libertine lifestyle in which he indulges before he assumes the throne as Henry V. To the despair of his father, Hal has fallen in with a gang of wastrels centred around the notorious Sir John Falstaff. The narrative arc of Shakespeare's story then becomes about Hal's choices as he is torn between two worlds: the enticements of hedonism and self-indulgence, and his father's call to duty and honour. However, in Robert Icke's adaptation of the two plays, the central character actually becomes Falstaff, and Hal's dilemma and decisions seem more like simply a backdrop for the comic hijinks of one of Shakespeare's most enduring and endearing creations. As Falstaff, Sir Ian McKellen puts in an unforgettable performance. He lights up the stage whenever he appears as the drunken prevaricator whose cunning and cowardice are somehow completely beguiling. Indeed, on the occasions when
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Foam ★★★★ Finborough Theatre | Mar 19 - Apr 13, 2024

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Based on a true story, Harry McDonald's Foam recounts the life of Nicky Crane, a young gay man who becomes a Nazi. We first meet Nicky as an uncertain 15-year-old loitering in a public toilet where he meets Oswald Mosley, the notorious British fascist. As part of the British underclass and driven by desires he can neither understand nor control, Nicky feels himself to be both socially and sexually powerless. Mosley's appeal to the youngster is to give him that sense of empowerment he so desperately lacks. In the ensuing scenes, we see Nicky play out his new persona and explore the erotic nature of his transgressive political posture in a series of encounters. His political choice gives him the sense of control he craves, but his sexual proclivities inevitably subjugate him. When his story concludes, he is succumbing to AIDS. He continues to rage and resists being put in a wheelchair, the final expression of his lack of control in a world in which he has struggled with self-loa
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