The London Mithraeum - FREE - ★★★★


A fascinating peek into Roman London and the mysterious cult favoured by Roman soldiers. The history of the discovery of this site and its excavation is as fascinating as the discovery itself. The presentation is first-rate and makes looking at the artifacts genuinely fun. The temple “event” actually creates a sense of the mysteries that once were celebrated there. If you are a classical history buff, this one must not be missed and for others it is an easy way to find a connection to Roman Britain … a great complement to the Roman collection at the Museum of London. And unlike some of London’s museums which can be rather overwhelming, this one leaves the visitor wanting more.
Reviewed by J.C.

 Our Score:  ☆☆☆☆ 

WHEN, WHERE, GETTING THERE:
Permanent Display
Tues - Sat: 10 am - 6 pm, Sun: 12 pm - 5 pm
Bloomberg Space
Nearest tube: Bank
Map & Location: 12 Walbrook, London EC4N 8AA, UK

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Moment of Grace, The Actors Centre (online) - ★★★★ - Until August 9, 2020

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At the heart of this hybrid between theatre and film is the visit of Diana, Princess of Wales to an AIDS ward in 1987. The action is seen through the eyes of three characters superbly performed by Luke Dayhill, Lucy Walker-Evans and Andrew Paul. Dayhill is outstanding as the articulate patient, Andrew, movingly awaiting death. He worries about being outed on television and says "Doing this isn't easy." At times, sharing the challenges of these characters isn't easy either. Patients and nurses alike have to get through with a mixture of humour and hope; their experience is described as "clinics and crematoriums." Walker-Evans superbly portrays the young nurse, Jude, terrified to come into work each day while wondering which of her patients has died during the night. Paul, as firefighter Donnie, has a difficult task – embodying The Sun reader, wrapped in misconceptions, who finds that his gay son, a nurse on the AIDS ward, is HIV positive. Author Bren Gosling…
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Declan, The Actors Centre (online) - ★★★★ - Until June 28, 2020

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"Thinking about thinking" says Jimbo in this solo performance where we seem to enter the protagonist's mind as he talks to us about his relationship with Declan - an unseen ghost/vampire/friend. The line between dream and reality is blurred as the pyjama clad and somewhat fey young man talks about his experiences. How real Declan actually is remains an enigma as we delve into Jimbo’s mixed-up mind. His mum, the old lady with cats, a neighbour and his nan’s 90th birthday are all conjured up. Vampiric overtones make the whole atmosphere slightly surreal, and by using minimal props in a bare studio, director, Alexis Gregory successfully creates an unworldly atmosphere. The isolation of this young man is palpable and many of Jimbo’s situations are extremely comprehensible as past, present and future merge ahead of the tragic ending. Author/actor, Alistair Hall, gives us an excellent performance as Declan, and with live theatre being unavailable, this video-streamed transmis…
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Sir John Soane's Museum Guided Tour - FREE - ★★★★★

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This is one of our favourite museums in London. The quirky and crammed home of John Soane, architect of the Bank of England. It has some wonderful treasures, including Hogarth's "The Election" and "The Rake's Progress." The sarcophagus of Seti I is in the basement along with the parlour of his imaginary friend, Brother John. Don't miss the opening of the display walls in the gallery now done on the hour and half hour. Also, try to be there for the free Private Apartments tour, limited to 8 people and requiring  sign up on site.
Reviewed by J.C.

 Our Score: ☆☆☆☆☆

WHEN, WHERE, GETTING THERE: Wed - Sun: 10 am - 5 pm (last entry at 4:30 pm) Closed: Dec 24, 25, 26, 31 & Jan 1
Private Apartments Tours: 1:15 pm & 2:00 pm Sir John Soane's museum, Lincoln's Inn Fields Nearest tube: Holborn https://www.soane.org
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A Kind of Magic, Multiple theatres (live via Zoom) - ★★★ - Until June 13, 2020

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A Kind of Magic is a kind of charming interactive show presented by the definitively charming Richard Essien, aka Magical Bones. Richard is a multi-talented performer familiar to many from Britain's Got Talent but here we only see his work as an up-close magician. This is a highly laudable attempt to bring live entertainment to us whilst theatres remain closed. Not only do we have Magical Bones, but also no less than four other acts crammed into a little less than one hour. It was a little obvious that this is a new concept and we're sure that it will pick up the pace as it continues; all of his tricks worked and were impressive – especially what seems to be his signature work with Rubik's cubes. The fact that this is all performed in close-up makes it all the more impressive. Guest magicians, Brendan Rodrigues and Magic Singh joined by aerialist Shelley Baker and body-popping dancer Brooke Milliner, bring elements of variety to the show but it is the interactive work by M…
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Soho Cinders, Charing Cross Theatre - ★★★★ - Until January 11, 2020

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It's all here but the pumpkin coach! This wonderfully updated telling of Cinderella's story takes place around Old Compton Street where Cinderella has become Robbieand Prince Charming is now a closeted politician. The fairy godmother played by Christopher Coleman expects a little more than appreciation and the two wicked stepsisters are now pole dancers threatening to take away Robbie's launderette. Does it sound like a lot of silly fun? Well, it is. It is also a slightly darker commentary on current political spinand image doctoring and on the tabloid culture that creates both political fairy tales and faux scandals. All of the cast are excellent. As the two totally over the top wicked stepsisters,Michaela Stern and Natalie Harman are hilarious in numbers such as "I'm So Over Men" and "Fifteen Minutes."Ewan Gillies as the evil spin doctor is quite perfect and "The Tail That Wags The Dog"sums up what so many of us see on the current politi…
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Martha, Josie and the Chinese Elvis, Park Theatre - ★★★★★ - Until January 4, 2020

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The title says it all. You know you're in for a lot of fun and this play lives up to its billing. What do you give to your dominatrix when she turns forty? It's a question we've all asked ourselves, and what we get here is an amusing and provocative answer. This is a piece that looks at and laughs at role playing, how it can liberate us and how it can trap us. Everyone from Chinese Elvis to dominatrix, Josie, has an alter ego that either supports them or constrains them. Coming to terms with the authentic self and enjoying the possibility of playing with the notion of other selves is both the challenge and the solution. This is a very funny play with a lot of heart and wisdom that is beautifully performed by a cast which never misses a beat. Sioned Jones is quite wonderful as the obsessive compulsive cleaner who grows into a new persona and Andrew P. Stephen is delightful as the dry cleaner who accepts his complexity. Kellie Batchelor is completely believable as the age-c…
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Afterglow, Southwark Playhouse - ★★★★★ - Until July 20, 2019

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There are no villains here. As relationships are increasingly defined by their participants and less and less by externally imposed "norms," there comes both liberation and challenges. The heart wants what the heart wants and often this results in conflicting and difficult to reconcile desires. This is the struggle faced by Josh, Alex and Darius as they try to negotiate the complexities of an open relationship. The performances of Sean Hart, Danny Mahoney and Jesse Fox are equally strong and nuanced. Tom O'Brien's direction is deft and well-paced. Libby Todd's set is brilliantly economical and versatile. But finally, it is about S. Asher Gelman's play. It offers us an amusing, intriguing and insightful look into how honesty, good intentions, commitment and love can confound us all. This is theatre for everyone who has ever tried "to make it work."

Reviewed by J.C.

 Our Score:  ☆☆☆☆☆ 

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A Life Twice Given, Upstairs at the Gatehouse - ★★★★★ - Until October 6, 2019

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Absolutely superb performances make this disturbing play quite outstanding. In these incredibly uncertain days the prospect of cloning humans is far too close for comfort, but here, in Gail Louw's adaptation of David Daniel's book, it is sensitively used to tragic effect. If less well performed and directed (by John Burrows) it could be mawkish. Indeed, the performances leapt off the stage.As the tragic father Johnny Neal really took flight; it is a complex character with lots of words and contrasting emotions. Johnny was stunningly good. He is matched all along the way by Natalia Campbell's mother who gets compelled into situations she is extremely unhappy with. Both actors conveyed the passing years most convincingly. Twenty-year-old Damian Reyes-Fox played the son from childhood to student doctor. In his big scene at the end he really performed brilliantly. The audience was held totally rapt throughout; this is a tribute to the faultless delivery and tremendous rapport …
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Kimono: Kyoto to Catwalk, Victoria & Albert Museum - ★★★★ - Until June 21, 2020

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For many the word "kimono" may long have been simply a synonym for housecoat or dressing gown. This fascinating exhibition first looks at the history and importance of this most versatile of garments in its Japanese home and then considers its impact after being introduced into Europe. Some stunningly beautiful examples of traditional kimonos from Japan's Edo period through the Meiji restoration are on display. These are sumptuous garments that reflect the growing fashion interest of a rising merchant class and offer lovely examples from both the geisha and kabuki theatre cultures. Indeed, the history of Japan is woven into the story of  the materials and techniques employed to create these wearable works of art. The post-war period saw the kimono's use relegated to cultural and ceremonial occasions, but there are some delightful examples of its resurgence in Japan's contemporary youth culture.  Since its introduction in the west, there have been a variety of use…
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Relatively Speaking, The Mill at Sonning - ★★★★★ - Until April 18, 2020

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The words "Alan Ayckbourn" usually summon up fun and this production is no exception. It is a delight in every way. As soon as we see Michael Holt's clever set with all those doors we are anticipating a good time. It's not long before the characters are popping in and out of them and the laughs begin rolling in. Thanks to director, Robin Herford's perfect pacing of this piece the audience is completely taken into Ayckbourn's world and never given a pause to question the delightful absurdity of it all. The wonderfully silly plot twists and hilarious cases of mistaken identity all work beautifully. The entire cast get it just right with performances that make their unbelievably credulous characters entirely credible. James Simmons as the philandering husband on the verge of exposure is suitably self-serving and lecherous, and Rachel Fielding as his wife strikes just the right tone of gullible and knowing. The other woman, Lianne Harvey's Ginny, radiates the…
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