Teeth ‘N’ Smiles ★★★ Duke of York's Theatre | Mar 13 - Jun 6, 2026


Written in 1979, David Hare’s tale of a 1960s rock icon who has watched the summer of love dissolve into a nightmare of drugs and disillusionment is potent stuff. Maggie Frisby, inevitably reminiscent of Janis Joplin, drinks to excess and has been reduced to performing at a spring dance at Jesus College, Cambridge. The singer is at her lowest ebb, bitter, volatile, and narcissistic. When her sober, sensible ex-husband, who wrote most of her songs, and her cynical, exploitative agent arrive nothing bodes well for this gig. With Frisby and her agent, Saraffian, Hare evokes two of the most enduring stereotypes of the rock 'n' roll world, and Rebecca Lucy Taylor, aka Self Esteem, and Phil Daniels inhabit them with relish. Taylor is mesmerising as the drunken, unpredictable Maggie, while Daniels could rival Uriah Heep in sheer unctuousness. Both performances are captivating, and when Taylor strides onstage to belt out her hits, the energy is nothing short of explosive. The rest of the band are sharply drawn and fully realised, from the drug-addled Peyote, flamboyantly played by Jojo Macari, to the peacemaking, trivia-obsessed Nash. Teeth ‘N’ Smiles serves primarily as a vivid portrait of a moment in time and a distinct cultural milieu. It captures the collapse of 1960s optimism into the darker, self-destructive pessimism that followed. The first act largely establishes the characters, while the second introduces some plot development; yet it is the concert sequences that truly exhilarate. Across both acts, moments of drama are effectively staged, punctuated by considerable humour, particularly in the character of Anson, who represents the privileged student elite being entertained by these anarchic rockers. Even so, the play seems to offer limited reflection on issues of class or any other broader thematic concerns. The moral seems confined to the bleakly familiar truth that life goes on despite the false highs and devastating lows. The principal strength of this production lies in its atmospheric intensity and its acute evocation of a specific historical moment. In these respects, it triumphs, leaving a vivid impression long after the final curtain falls.

Rated: ★★★

Reviewed by J.C.
Photo by Helen Murray

When, Where, Getting there:
Map & Location: St Martin's Ln, London WC2N 4BG, UK

Most Popular

St. Martin in-the-fields: Lunchtime Concerts ★★★★ FREE

Image
Maybe the best musical value in London. The lunchtime concerts at St. Martin's are always a wonderful way to escape the hustle and bustle that is London and the sensory overload that is Trafalgar Square. This is a beautiful setting with great acoustics, and a church pew hard enough to make sure you don't nod off. Reviewed by J.C.  Our score:    ☆☆☆☆  WHEN, WHERE, GETTING THERE: Mon & Fri: 1 pm - 1:45 pm ( occasionally Tues & Thurs)  St. Martin in-the-fields, Trafalgar Square Nearest tube: Charing Cross https://www.stmartin-in-the-fields.org/whats-on
Full Details »

The Holy Rosenbergs ★★★★★ Menier Chocolate Factory | Feb 27 - May 2, 2026

Image
In 2011, Ryan Craig wrote a play about the first Gaza war of 2009. The work carries an even deeper resonance in today’s fraught political climate. David Rosenberg once ran a successful Jewish catering business, but he has fallen on hard times after a rumour spread through the neighbourhood that his food caused a woman’s death by food poisoning. His wife Lesley believes they should leave the area that has now turned its back on them, but David is determined to restore his reputation. The fact that their son died defending Israel is seen as a way of re-establishing the family’s standing among those around them. Yet their daughter’s involvement in an inquiry that may bring charges against the Jewish state for its conduct during the 2009 Gaza war threatens this fragile hope of acceptance. The family’s predicament becomes a microcosm of a larger dilemma. At what point do the rewards of belonging to a family, a community, or a nation demand a loyalty that endangers personal integrity, and ho...
Full Details »

English National Ballet - Body & Soul ★★★ Sadler's Wells Theatre | March 19 - 28, 2026

Image
This latest offering from the English National Ballet presents two works loosely connected by the theme of body and soul. The first, by the renowned choreographer Crystal Pite, is titled Body and Soul (Part 1). Set to a French text that largely describes the dancers’ movements, it unfolds across eight brief scenes. The piece is at its most evocative when Pite deploys a large group of dancers, creating exquisite passages such as the mirroring of the rhythmic surge of waves against the shore. However, the work lacks the narrative richness found in some of Pite’s finest creations, such as Revisor and Assembly Hall . While there are undeniably striking moments and some fine pas de deux , the production also fails to attain the level of her more abstract achievements, such as Figures in Extinction . Even so, encountering Pite’s choreography remains a consistently rewarding experience. The second piece, Proper Conduct , is a new work by Kameron N. Saunders. Divided into three parts, it unf...
Full Details »

Mary, Queen of Scots ★★★★★ Sadler's Wells Theatre | March 5 - 8, 2026

Image
In 2019, to celebrate its 50th-anniversary season, Scottish Ballet commissioned five new works. The fifth and final of these, Mary, Queen of Scots , is choreographed by the company’s resident choreographer Sophie Laplane with an original score by Mikael Karlsson and Michael P. Atkinson. The result is a work of striking theatrical imagination and choreographic ambition. The ballet unfolds in the winter of Elizabeth I’s life. The ageing queen looks back on her turbulent relationship with her cousin Mary and the chain of events that ultimately led to Mary’s execution at Elizabeth’s command. Memory merges with imagination throughout the narrative. While the broad sweep of history remains intact, the work allows itself moments of poetic licence that deepen its emotional resonance. We first encounter Mary at the French court where she marries Francis II. His death leaves her estranged from her formidable mother-in-law Catherine and forces her return to Scotland. She is accompanied by the mus...
Full Details »

Savage ★★ White Bear Theatre | Feb 25 - Mar 15, 2026

Image
Savage confronts a historically shocking and distressingly contemporary issue: the targeting of homosexual men with conversion therapy. The play recounts the horrific experiments carried out under the Nazi regime in Denmark to "cure" homosexuality and tells the true story of Dr Vaernet, who collaborated with Hitler’s regime in the belief that sexual orientation could be changed. This historical reality is dramatised through the story of Nikolai, a young Danish man, and his American lover, Zack. While Zack manages to escape the Nazi experiments, Nikolai endures them. Regrettably, this crucial historical legacy is presented simplistically and didactically. The characters are one-dimensional, and the plot is entirely predictable. The revelation that the Nazi persecutor of Nikolai is himself gay is unsurprising. It is almost a cliché that much homophobia is driven by repression of one’s own desires.The play’s simplistic characterisation is exacerbated by the production. Despite ...
Full Details »

Double Indemnity ★★★ Richmond Theatre | March 3 - 7, 2026

Image
James M. Cain’s tale of murder and betrayal remains a classic of hard boiled crime fiction. Younger audiences may not remember Double Indemnity , Billy Wilder’s extraordinary film noir starring Fred MacMurray as the smart aleck insurance salesman drawn into a murderous scheme by the ultimate femme fatale, played by Barbara Stanwyck. In this stage adaptation, Tom Holloway has altered the names of the two central characters slightly, but their personalities remain recognisably the same. As the fast talking operator who is thoroughly outmanoeuvred by a seductive schemer, Ciarán Evans serves as both narrator and protagonist. For the most part he captures the stylised delivery associated with the genre, though there are moments when the performance tips from deliberate artifice into something that feels a little forced. The production also struggles with its central relationship. Mischa Barton cannot quite match Stanwyck’s glacial brilliance, and her seductive power and calculated manipulat...
Full Details »

Vincent in Brixton ★★★★ Orange Tree Theatre | Mar 14 - Apr 18, 2026

Image
Vincent van Gogh spent two distinct periods in London. He stayed for two years from 1873 to 1875 before returning briefly in 1876. During his first stay he lodged with Ursula Loyer and fell in love with her daughter, Eugénie, who rejected him. Nicholas Wright’s play Vincent in Brixton reimagines this episode, deepening it into a more intricate emotional entanglement for the young art dealer’s assistant who would later become one of the most celebrated artists of all time. The play presents Van Gogh as a blunt, almost gauche young man with a striking lack of social restraint. His speech is impulsive, unguarded, and at times painfully direct, yet this very openness lends him a disarming vulnerability. Wright uses this quality to explore the tension between naivety and perception, suggesting that the same emotional candour that isolates Vincent also sharpens his artistic vision. The result is a thoughtful meditation on the inner forces that would come to define both his work and his stru...
Full Details »

ABBA Voyage ★★★★★ ABBA Arena, Queen Elizabeth Olympic Park | Extended Run

Image
When great music from the past meets mind boggling technology from the future, the result is ABBA Voyage . This is a concert like no other. In a purpose built arena designed specifically for the show, massive high resolution LED screens, advanced lighting, and surround sound are used to create a fully immersive ABBA concert experience. Although the group’s last appearance in London was at Wembley Arena in 1979, they return technologically in this extraordinary production. These are not holograms or AI generated performances. This is a meticulously animated concert based on real performances by the band themselves. To achieve this effect, the group came together and re-performed their music using motion capture technology. They partnered with top visual effects experts to digitally recreate their younger selves. While the show includes a live band and backup singers, the Agnetha, Björn, Benny, and Anni-Frid seen on stage appear every bit as real as their original counterparts. One quick...
Full Details »

Arcadia ★★★★★ The Old Vic | Jan 24 - Mar 21, 2026

Image
This splendid revival of Tom Stoppard’s masterpiece is definitely one of this year’s must-see productions. Intellectually demanding yet fizzing with wit, the play is brought vividly to life by a uniformly outstanding ensemble. Seamus Dillane is superb as the rakish tutor Septimus Hodge, delivering a performance of effortless charm and sly intelligence, while Matthew Steer is irresistibly funny as the mock poet/scientist and hapless cuckold Ezra Chater. Isis Hainsworth is luminous as the prodigy Thomasina, blending youthful grace with startling intellectual authority, and Fiona Button is deliciously bold as her mother, the gloriously predatory Lady Croom. Set in both the nineteenth and twentieth centuries, Arcadia explores how we confront death and search for meaning in our lives. Its title suggests Poussin's pastoral painting with the tombstone in its foreground, et in Arcadia ego . Faced with this existential problem, the play suggests two possible routes to understanding: scienc...
Full Details »

Marie & Rosetta ★★★★ @sohoplace | Feb 28 - Apr 11, 2026

Image
Even rock 'n' roll enthusiasts may not immediately recognise the names Sister Rosetta Tharpe and Marie Knight, yet this delightful musical makes a persuasive case for their inclusion in any contemporary music hall of fame. The show opens as the pair embark on their first joint tour across the segregated Southern states, and their growing sisterhood becomes a neat metaphor for the hybrid sound they helped to shape. The production handles the uneasy relationship between sacred and secular with intelligence. Conversations between the two women explore whether the energy and joy of religious music should be translated into a secular context, and this debate neatly mirrors their own developing relationship. The tension between gospel and the emerging sounds of popular music runs throughout the narrative, but while the history and musicology are intriguing, the real pleasure of the evening lies in the performances themselves. Onstage, the inimitable Beverley Knight is incandescent as...
Full Details »

The City Life Magazine | Reviews & Ratings