Written in 1888, Miss Julie shocked audiences with its frank portrayal of female sexuality, class transgression and psychological power struggles. Its capacity to disturb and compel has not diminished over time, as it continues to confront issues that resonate in contemporary society. The figure of a sexually exploitative aristocrat still carries uncomfortable echoes today. In Patrick Marber’s 2003 adaptation of the classic, the action unfolds on the eve of Labour’s historic 1945 victory at the polls. Miss Julie celebrates with her father’s chauffeur, John, while his dutiful fiancée, Christine, observes with growing unease. The play opens with the anecdote of Julie’s pet dog mating with the gatekeeper’s mongrel. This episode foreshadows Julie’s own transgressive behaviour, just as her fate is anticipated in the brutal killing of her caged bird when she contemplates eloping with her working class lover. For the drama to succeed, the audience must believe in the volatile, rapid shifts of mood that drive the central pair. Their relationship depends upon palpable chemistry and a sense of inevitability. These are archetypal, almost mythic figures, yet in this production they never fully attained that stature. Liz Francis presents a mercurial Julie, and Tom Varey a simmering, passive-aggressive John, but neither quite conveys the elemental force required, nor do they establish the fatal connection that propels the tragedy. The sense of a doomed Heathcliff-and-Catherine intensity that should underpin their passion and recrimination is largely absent. Likewise, Charlene Boyd’s credulous Christine appears closer to a character from a domestic drama than a participant in high tragedy. Director Dadiow Lin also employs an excess of mimed and cigarette-smoking sequences that fail to build suspense and instead seem to occupy the stage without deepening the emotional stakes. Nevertheless, the enduring strength of the play itself remains evident. Even when the production falters, the sharpness of Strindberg’s insight and the timeless urgency of his themes continue to surface, reminding us why this drama still commands attention more than a century after it was first written.
Rated: ★★★
Reviewed by J.C.
When, Where, Getting there:
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