High Noon ★★★ Harold Pinter Theatre | Until March 6, 2026


When it was first written, the 1952 film High Noon drew much of its force from the then political context and from Gary Cooper’s Oscar-winning performance. Created during the era of McCarthyism by Carl Foreman while he was under scrutiny from the House Un-American Activities Committee, the film’s moral urgency, combined with Cooper’s quiet integrity, helped secure its status as a classic. The tale of a small-town marshal who confronts an anarchic threat to the rule of law struck a deep chord with audiences. In this allegory, Will Kane stands isolated as he faces an approaching tyranny that leaves his fellow citizens paralysed by fear. Set against their timidity and willingness to submit to intimidation or to flee, his resolve appears all the more heroic. Kane’s ordeal is further complicated by the two opposing forces that inform his personal life and underscore his symbolic role as the law. His Quaker wife embodies noble but impractical ideals, grounded in a faith that rejects violence, while his former lover, a Mexican immigrant keenly aware of her vulnerability, represents a hard-earned pragmatism in the face of looming danger. These tensions enrich the drama and sharpen its ethical stakes. In this stage adaptation, contemporary American politics and the actions of Donald Trump lend fresh resonance to Foreman’s allegory. Billy Crudup rises convincingly to the challenge of stepping into a role so closely associated with Cooper. Denise Gough, costumed in white throughout, manages to convey the naïve moral aspiration of Kane’s wife without ever seeming sanctimonious. Rosa Salazar also puts in a memorable performance, fully capturing the humanity and worldly wisdom of the so-called scarlet woman in Kane’s past. At times, the production wavers oddly between play and musical. Snatches of songs by Bruce Springsteen and others, along with stylised dance sequences, do little to deepen the impact of the story, but they don't really undermine it either. Tim Hatley’s spare and adaptable set effectively evokes a Western frontier town while reinforcing the stark ethical choices at the heart of the piece. This High Noon may fall short of flawless theatre, but it delivers a warning that remains urgent and that we disregard at our own peril.

Rated: ★★★

Reviewed by J.C.
Photo by Johan Persson

When, Where, Getting there:
Map & Location: Panton St, London SW1Y 4DN, UK

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