Othello ★★★★ Theatre Royal Haymarket | Oct 23, 2025 - Jan 17, 2026


This production of Othello marks David Harewood’s return to a role he first played at the National Theatre in 1997. His performance is commanding and engaging as he portrays a man undone both by his devious subordinate and by his own surrender to the “green-eyed monster.” Harewood dominates the stage whenever he appears, offering a richly nuanced interpretation that makes Shakespeare’s tragic hero both terrifying and sympathetic. His remarkable performance is only matched by Toby Jones’ compelling portrayal of Iago, the master of malice. Jones is delightful as he sneers and snarls while manipulating the trusting Othello, and the scenes between the two men are the highlights of the production. Both actors deliver Shakespeare’s lines with clarity and natural ease, making the language feel immediate and comprehensible. It is a refreshing change from the overly formal intonation often heard in classical productions. Unfortunately, Caitlin Fitzgerald’s Desdemona is less effective. At times her articulation and inflection are jarring, drawing unnecessary attention to the way the lines are being delivered. As with most Shakespearean plays, the audience’s familiarity with the text shifts attention from the play toward the production itself. In this case, director Tom Morris presents a clean, elegant staging that resists unnecessary gimmicks. He allows the play to speak for itself, carried by the strength of the performances. What is somewhat puzzling is the costuming, which ranges from modern military attire to a quasi-Renaissance style in the Venetian scenes. Whatever the intended concept, it fails to cohere. Such quibbles aside however, this is a clear and confident production of Othello distinguished by the strength of its lead actors.

Rated: ★★★★

Reviewed by J.C.
Photo by Brinkhoff-Moegenburg

When, Where, Getting there:
Map & Location: Haymarket, London SW1Y 4HT, UK

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