
In its first appearance in London, the relatively young National Ballet of Japan presents a Giselle that is quite extraordinary. Founded in 1997, the company under the artistic direction of former Royal Ballet star Miyako Yoshida, brings a maturity and sensitivity to its interpretation of the romantic classic that is truly unforgettable. The story of the peasant girl who is betrayed by the prince, but who later strives to save him from the retribution of the ghosts of the brides who have died broken-hearted, may be a standard of ballet repertoire. However, Yoshida and her company manage to make it as fresh and touching as the first time we saw it. Playing the princely cad, Shun Izawa is a wonderfully athletic Albrecht, and Yui Yonezawa's Giselle is totally captivating. Her portrayal combines a flawless technique and an emotional depth that is deeply touching. Yonezawa beautifully captures both Giselle's innocence and her susceptibility to Albrecht's blandishments. Also putting in a performance of the highest standard is Akari Yoshida as Myrtha, the Queen of the Wilis, while the precision of the corps de ballet is quite breathtaking. In the second act, the twenty-four Wilis display an impeccable coordination that is only matched by the luminous, ethereal quality which they bring to their embodiment of the ghostly brides. The execution of their ensemble work is simply flawless. Since this current run of the production is already sold out, we can only urge ballet enthusiasts not to miss the next London visit of this world-class company.
Rated: ★★★★★
Reviewed by J.C.
Photo from Bolton & Quinn
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