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Based on a true story, this powerful piece by James Graham which was originally commissioned by the Nottingham Playhouse has now arrived in London. Jacob is young, impulsive and an adrenaline junkie. He has dropped out of school and his one goal in life is the approval of his mates. Then, one fateful night, he hits a young man who dies as a result. His subsequent journey and his interactions with the young man's parents proves to be an extremely moving narrative and an insight into the concept of restorative justice. Indeed, the play becomes almost a plea for governmental investment in a programme which apparently can change the lives of many young offenders. However, unlike a lot of plays advocating for good causes, this one also succeeds in being good theatre. This is largely due the direction of Adam Penford who keeps things moving at a good pace and who draws some extraordinary performances from his cast. David Shields' portrayal of Jacob is absolutely riveting, and he is completely believable both as the hyperactive narcissist at the beginning of the play and the remorseful penitent at its conclusion. As the victim's parents, Julie Hesmondhalgh and Tony Hirst are also amazingly effective, and they beautifully take us through the gamut of emotions that the parents' in such a situation would inevitably feel. Full points also to Anna Fleischle whose set neatly evokes the environment that is so central to Jacob's story. The major challenge of a work like this is getting the balance right between explication/advocacy and telling an engaging story. While there are a couple of moments which do seem a bit heavy-handed, Punch generally succeeds, and the compelling emotional content leaves few dry eyes in the house. This is theatre that is relevant, eloquent and refreshingly optimistic.
Rated: ★★★★★
Reviewed by J.C.
Photo Marc Brenner
When, Where, Getting there:
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