David Hockney: The Arrival of Spring, Normandy, 2020 ★★★ Royal Academy of Arts | Until September 26, 2021


David Hockney's new exhibition at the Royal Academy, The Arrival of Spring, Normandy, 2020, has a familiar feel to it as Hockney began showing works 'painted' with his iPad back in 2012. Never afraid to use bright colours, this vast display of almost 120 works blasts us with a barrage of vivid greens as we see him play in his garden with his iPad during the spring of 2020. Does this conjure up Monet in his old age at Giverny? Well, there is a lily pond. These works were created on a normal sized iPad and here are blown up to about 1.5m; this enlarging shows every dot and dash in detail, almost suggesting a pointillist influence. Sadly, it doesn't flatter the works as the faux naïf style seems to have no depth. That is not to say that the exhibition is not enjoyable. There is much to like here, and a whole wall of a dozen pictures depicting the same trees, from the same viewpoint, at different times of day is fascinating. The sheer volume of work is extraordinary, the listing shows that Hockney was producing up to four pictures a day. Of course, at this rate, not all can be masterpieces and few have the feeling of the work of a great artist. Still, it is wonderful to see the Royal Academy open again and with an exhibition which is bound to draw the crowds.

Reviewed by D.S.J.
Image: David Hockney, No. 259, 24th April 2020. iPad painting. © David Hockney.

Rated: ★★★

When, Where, Getting there:
  • Until September 26, 2021
  • Tue - Sun: 10 am - 6 pm (last admission 5.30pm)
  • Royal Academy of Arts
  • Main Galleries: Galleries 2, 3, Central Hall and Lecture Room (May 23 – Aug 1)
  • The Gabrielle Jungels-Winkler Galleries (Aug 11 – Sep 26)
  • Nearest tube: Green Park
  • https://www.royalacademy.org.uk

Most Popular

It Runs in the Family ★★★★ The Mill at Sonning | Feb 13 - Apr 12, 2025

Image
Ray Cooney's 1987 farce, It Runs in the Family , is still an audience pleaser. The absurd shenanigans of Dr David Mortimore as he tries to deliver an important lecture to his fellow neurologists, while simultaneously hiding from his wife the newly discovered 18-year-old son who is the result of a liaison with a former nurse at his hospital, still strikes the funny bone in 2025. Indeed, as things get more and more inane, the theatre echoes with laughter at the philanderer's plight and the ever more elaborate web of lies that he weaves. Human nature and its follies don't change or go out of fashion. The skewering of hypocrisy and the mad lengths to which dishonesty can go, are the staples of this comic genre, and Cooney manages to satisfyingly strike both notes in his light-hearted confection. For the cast and director, this kind of thing is all about timing, and Ron Aldridge gets the pacing just right while the actors nicely manage to walk the tightrope of always taking them...
Full Details »

Statues ★★★ Bush Theatre | Oct 9 - Nov 9, 2024

Image
Ostensibly about the relationship between English teacher, Yusuf, and his recently deceased father, Mustafa, Azan Ahmed's Statues actually presents that personal reality in a larger political context: the perception of men of Pakistani origin in British society and the heavy-handed behaviour of National security services. Only after his father's death does Yusuf learn that Mustafa once aspired to be a rap artist, ultimately retreating into himself and becoming a "statue" when that dream goes unrealised. Ironically, at the same time as he has this revelation, Yusuf, is teaching Hamlet (a character who notoriously had his own father issues), and he encounters a challenging young student who interprets Shakespeare's protagonist as a "radical." The teacher then makes a choice that has unexpected and unfortunate consequences for the student in question and creates a situation that actually parallels the experience of Yusuf's father. Azan Ahmed's work...
Full Details »

St. Martin in-the-fields: Lunchtime Concerts ★★★★ FREE

Image
Maybe the best musical value in London. The lunchtime concerts at St. Martin's are always a wonderful way to escape the hustle and bustle that is London and the sensory overload that is Trafalgar Square. This is a beautiful setting with great acoustics, and a church pew hard enough to make sure you don't nod off. Reviewed by J.C.  Our score:    ☆☆☆☆  WHEN, WHERE, GETTING THERE: Mon & Fri: 1 pm - 1:45 pm ( occasionally Tues & Thurs)  St. Martin in-the-fields, Trafalgar Square Nearest tube: Charing Cross https://www.stmartin-in-the-fields.org/whats-on
Full Details »

Howerd's End, Golden Goose Theatre - ★★★★★ - Until October 31, 2020

Image
Mark Farrelly's outstanding new play, Howerd's End , brings to life the humour and clandestine gay relationship of one of Britain's best loved comedians – Frankie Howerd. Author Farrelly also brilliantly plays Dennis Heymer, the man in Howerd's life for forty years, who here conjures up the ghost of the comic. It is made abundantly clear that enormous work went into Howerd's act with every tiny moment being predetermined; it is equally apparent that just as much work has gone into Simon Cartwright's wonderfully realistic assumption of the role. Each nuance is perfect without becoming a caricature. Helped by impeccable sound and lighting, and as directed by Joe Harmston, we are conducted through the two men's lives both on stage and off. Farrelly and Cartwright hold us enthralled from the moment Frankie's lugubrious face first peers around a corner to the sad ending which manages to avoid that 'tears of a clown' cliché. Howerd's nonconformist ...
Full Details »

The Magic Flute ★★★★★ Wilton's Music Hall | Feb 25 - Mar 8, 2025

Image
Mozart in the jungle! This revival of Charles Court Opera's version of the composer's enigmatic classic is set in the Peruvian rainforest, and in this rendition of the epic quest a well-meaning Tamino is exploring that strange, new terrain. The production neatly maintains the integrity of the original work while also making a series of judicious emendations which allow it to run at about two hours including an interval. David Eaton's English translation of the lyrics is clever and captures all the fun of the original, while John Savournin's translation of the book deftly brings out Mozart's Enlightenment message. On the humorous side of the ledger, Matthew Kellett does a simply outstanding job as Papageno. He brings to the craven bird catcher not only a fine voice, but some wonderfully exaggerated acting chops and a not inconsiderable athleticism. Indeed, his search for a companion is in danger of stealing the show from Martins Smaukstelis' restrained and earnes...
Full Details »

The Last Laugh ★★★★ Noël Coward Theatre | Feb 25 - Mar 22, 2025

Image
While apparently waiting to go on stage, three funny men from Britain's golden age of comedy share jibes, insights and memories. This is a show that is laden with nostalgia, but it also works for those who are not familiar with the work of Tommy Cooper, Eric Morecambe and Bob Monkhouse. The jokes still draw gales of laughter, and the personifications of the trio by Damian Williams, Bob Golding and Simon Cartwright are magical. Each of them display a slick professionalism and a near-perfect comic timing as they bring to life their popular personae who have a well-deserved place in the public imagination. Their discussions about the nature of comedy, their varying degrees of self-awareness and their deep commitment to the curious career they have chosen become fascinating. The talk ranges from what constitutes humour to the sense of personal fulfilment they derive from making others laugh, and it is all laced with sharp and silly sallies, old and new. From the meticulous, almost peda...
Full Details »

East is South ★★★★ Hampstead Theatre | Feb 7 - Mar 15, 2025

Image
Is the ability to entertain a paradox the difference between human intelligence and AI? If this is the kind of question that fascinates you, then this is a must-see show. Beau Willimon has written an intelligent thriller that challenges both metaphysical and epistemological preconceptions. It focuses on two programmers, Lena and Sasha, who may, or may not, have enabled the AI system, Logos, to become an entity which can no longer be controlled by its creators. Are they the "parents" of a new superior form of consciousness or are they dooming the human race to extinction? The questions abound, and the play is rife with religious connotations starting with the very name of the AI system. Lena, convincingly played by Kaya Scodelario, has been raised in a Mennonite community which eschews technology, but having embraced it, she may now have a motive for wishing to free it from the shackles of another society that is trying to deny its part in the future. Her partner, Sasha, ably ...
Full Details »

Goya to Impressionism. Masterpieces from the Oskar Reinhart Collection ★★★★★ The Courtauld Gallery | Feb 14 - May 26, 2025

Image
This extraordinary exhibition is a selection of twenty-five works from the over two hundred pieces that comprise the Oskar Reinhart Collection and which are usually on display at the public patron's former villa in Switzerland. Here is a very special opportunity to see some of the most important works in that amazing collection and to consider the developments in European art from Goya through to the early Picasso. The first gallery presents the antecedents of Impressionism and Post-Impressionism with some stunning examples from the likes of Goya, Géricault and Courbet, while the second room has work by Monet, Toulouse-Lautrec, Gauguin, Van Gogh, and Picasso among others. It is a truly breathtaking introduction to the collection and an opportunity to see works that have never previously been displayed in this country. From Goya's darkly symbolic still life of salmon steaks, to Courbet's slyly provocative The Hammock (1844) and powerful depiction of nature in The Wave (187...
Full Details »

Mariposa ★★★ The Place | February 25 & 26, 2025

Image
Mariposa is a contemporary recasting of Puccini's classic story of Madame Butterfly. In this version, we are in Cuba in the 1970s, and a sailor picks up a rent boy whom he soon abandons. Later, when he returns to the island, the seafarer encounters the boy who loves him, but inevitably, the tale plays out to its preordained conclusion. In this version choreographer Carlos Pons Guerra incorporates into his "queer tragedy" the rhythms of the Caribbean and overtones of Santería, the Afro-Caribbean religious practice. Both work nicely to bring a new dimension to this familiar tale. The first act of the production is nothing short of spellbinding. Its evocation of the island's beach and docklands with the clandestine goings-on there is pulsatingly powerful. The score of Luis Miguel Cobo beautifully creates an exotic atmosphere and erotic tension which the choreography takes full advantage of. Harry Alexander, as the sex worker, Mariposa, and Daniel Baines as the sailor, P...
Full Details »

Punch ★★★★★ Young Vic | Mar 1 - Apr 26, 2025

Image
Based on a true story, this powerful piece by James Graham which was originally commissioned by the Nottingham Playhouse has now arrived in London. Jacob is young, impulsive and an adrenaline junkie. He has dropped out of school and his one goal in life is the approval of his mates. Then, one fateful night, he hits a young man who dies as a result. His subsequent journey and his interactions with the young man's parents proves to be an extremely moving narrative and an insight into the concept of restorative justice. Indeed, the play becomes almost a plea for governmental investment in a programme which apparently can change the lives of many young offenders. However, unlike a lot of plays advocating for good causes, this one also succeeds in being good theatre. This is largely due the direction of Adam Penford who keeps things moving at a good pace and who draws some extraordinary performances from his cast. David Shields' portrayal of Jacob is absolutely riveting, and he is c...
Full Details »

The City Life Magazine | Reviews & Ratings