Far Away, Donmar Warehouse - ★★★ - Until April 4, 2020

Photographer: Johan Persson.

Caryl Churchill's short one act play Far Away is beautifully staged and performed, but it leaves one ultimately dissatisfied. It is like an appetiser which whets the appetite but is not followed by a meal. The atmosphere is wonderfully created and the audience is immediately intrigued by what a young girl staying with her uncle and aunt has seen in the middle of the night. All the sense of impending horror that we usually associate with a Stephen King novel is set up. Then, we enter into another zone which is more reminiscent of George Orwell's post-apocalyptic vision. Our curiosity and apprehension is turned towards the premises and predictions involved in this strange dystopian future. It does all come together as we see that it is the very harmony of nature that has been undermined, but still the lack of character development and the rather thin plot make this seem less a play than an animated concept. Aisling Loftus and Simon Manyonda work well together as Joan and Todd while Jessica Hynes is totally believable as Harper, the aunt with a secret. Their performances were a wonderful naturalistic counterpoint to the narrative. We saw Sophia Ally as the young Joan and were quite amazed by the maturity of her performance. Lyndsey Turner's direction was solid and Lizzie Clachan's set beautifully reflected the box of conundrums being opened. The high production standards of Donmar Warehouse continue to elevate all the work they do.

 Reviewed by J.C.

  Our Score:  ☆☆☆ 

 Want to save on tickets? See our Tips page.

 WHEN, WHERE, GETTING THERE:
Until April 4, 2020
Mon - Sat: 7:30 pm, Thu & Sat: 2:30 pm
Donmar Warehouse
Nearest tube: Covent Garden
https://www.donmarwarehouse.com/production/7419/far-away/
Map & Location: 41 Earlham St, Seven Dials, London WC2H 9LX, UK

Most Popular

Falling Stars, The Union Theatre (online) - ★★★★ - November 22-29, 2020

Image
"Smile" was one of Charlie Chaplin's best-loved songs, and it is with a smile that we welcomed Falling Stars – a charming musical revue inspired by finding an album of old songs in an antique shop. Peter Polycarpou writes, sings and tells anecdotes about well known and long forgotten songwriters active in the 1920s, and he is joined in this venture by another West End star, Sally Ann Triplett. Both artistes perform beautifully, individually and together. With their bursts of comedy and delightful song and dance numbers, like "Yes! We Have No Bananas" and "Tea for Two", they also manage to create real interaction with the invisible audience. Aficionados of the Great American Songbook won't find many surprises here but they will find plenty to enjoy. The balance of the popular and the unfamiliar is just right with quite an emphasis on the music of Chaplin. Immaculate staging by Michael Strassen, top-class lighting from Andrew Exeter, plus some excel
Full Details »

Howerd's End, Golden Goose Theatre - ★★★★★ - Until October 31, 2020

Image
Mark Farrelly's outstanding new play, Howerd's End , brings to life the humour and clandestine gay relationship of one of Britain's best loved comedians – Frankie Howerd. Author Farrelly also brilliantly plays Dennis Heymer, the man in Howerd's life for forty years, who here conjures up the ghost of the comic. It is made abundantly clear that enormous work went into Howerd's act with every tiny moment being predetermined; it is equally apparent that just as much work has gone into Simon Cartwright's wonderfully realistic assumption of the role. Each nuance is perfect without becoming a caricature. Helped by impeccable sound and lighting, and as directed by Joe Harmston, we are conducted through the two men's lives both on stage and off. Farrelly and Cartwright hold us enthralled from the moment Frankie's lugubrious face first peers around a corner to the sad ending which manages to avoid that 'tears of a clown' cliché. Howerd's nonconformist
Full Details »

Fanny & Stella, The Garden Theatre at The Eagle - ★★★★ - Until August 28, 2020

Image
Live theatre is back in all its glory! Playing outdoors and socially distanced, this is a little gem of a show. Juxtaposing high drama with low comedy frequently succeeds as a theatrical device and this musical is no exception. Revolving around a notorious Victorian court case where two young, cross-dressing men were charged with sodomy, the show uses elements of Music Hall to get its points across. David Shields' simple design cleverly compliments the unusually florid accessories to the gentlemen's dress suits. Fanny and Stella, our drag queen leading 'men', are played with great aplomb by Kane Verrall and Jed Berry. They create believably lovable characters and bring joyous humour balanced with heart-rending pathos. The company of six perform Nick Winston's delightfully slick routines immaculately. Mark Pearce stands out in a myriad of cameo roles; it is a tribute to Pearce and director, Steven Dexter, that he never outstays his welcome. Alex Lodge's han
Full Details »

Showstopper! The (Socially Distanced!) Improvised Musical - ★★★★ - Until August 30, 2020

Image
'Adapt and change' seems to be the way forward for theatre in 2020. Showstopper! , which has been running successfully in the West End for several seasons with an Olivier Award already under its belt, has created hundreds of improvised musicals before our eyes and ears. This, however, is its first foray into online entertainment and, judging by the audience feedback, it will prove very popular. Four very talented performers – Ruth Bratt, Justin Brett, Pippa Evans and Adam Megiddo, backed by Duncan Walsh Atkins and Alex Atty in the band – work incredibly hard creating and linking songs in the style of favourites from Hamilton , Les Miserables and many more. We also enjoy seeing them flesh out the flimsiest of plots as suggested by audience members; on this occasion, the story involved a hot air balloon trip and time travel. The reimagined format is obviously still unfamiliar to the performers and without a live audience the show takes a while to get into its stride, but
Full Details »

Alice: A Virtual Theme Park, Creation Theatre (online) - ★★★★ - Until August 30, 2020

Image
“Topsyturveydom” certainly rules in this enthrallingly strange interactive version of Alice's Adventures in Wonderland . This is a piece which may be more baffling for adults than for children of five to nine, which I would suspect is the ideal audience. Youngsters often simply accept things which oldsters can find mind-boggling. Sent down the rabbit-hole that leads to Lewis Carroll's bizarre version of Utopia, we get drawn into games and dances all charmingly mixed together. For example, the synchronised swimming led by the March Hare is a delight; additionally, interactive croquet with hedgehogs is great fun. The presentation allows families to join in both on and off screen, and many of the children's faces and reactions are a total delight. For me as an adult ( I think ) I've always loved The Mad Hatter's Tea Party with the answerless riddles and sleepy dormouse. It works beautifully here. Using art and technology as well as theatre, director Zoe Seaton has
Full Details »

Kimono: Kyoto to Catwalk, Victoria & Albert Museum - ★★★★ - Until June 21, 2020

Image
For many the word "kimono" may long have been simply a synonym for housecoat or dressing gown. This fascinating exhibition first looks at the history and importance of this most versatile of garments in its Japanese home and then considers its impact after being introduced into Europe. Some stunningly beautiful examples of traditional kimonos from Japan's Edo period through the Meiji restoration are on display. These are sumptuous garments that reflect the growing fashion interest of a rising merchant class and offer lovely examples from both the geisha and kabuki theatre cultures. Indeed, the history of Japan is woven into the story of  the materials and techniques employed to create these wearable works of art. The post-war period saw the kimono's  use relegated to cultural and ceremonial occasions, but there are some delightful examples of its resurgence in Japan's contemporary youth culture.  Since its introduction in the west, there have been a  variety o
Full Details »

Pippin, The Garden Theatre at The Eagle - ★★★★ - Until October 11, 2020

Image
Happy hippie troubadours invade this intimate space only to charm their way into our hearts and minds. It might be interesting to discuss the existential crisis which inhabits the heart of Stephen Schwartz's entertainment, but it is far better to relax and let this exceedingly talented troupe entertain us with their superbly directed and choreographed performances. The whole panoply of life in the time of Charlemagne is laid out before us on a pocket handkerchief of a stage. It is all festively strung with fairy lights and surrounded by forests of potted palms. As Pippin himself, Ryan Anderson displays extraordinary talent including some jaw-dropping athleticism. The ambiguity of Pippin being trapped but happy with his lot is nicely developed. Harry Francis is a delight as the fit-but-dim stepbrother, Lewis, and he dances up a storm. Dan Krikler's fine voice serves well as King Charlemagne. However, the clear audience favourite is Joanne Clifton as Pippin's stepmother and,
Full Details »

Declan, The Actors Centre (online) - ★★★★ - Until June 28, 2020

Image
"Thinking about thinking" says Jimbo in this solo performance where we seem to enter the protagonist's mind as he talks to us about his relationship with Declan - an unseen ghost/vampire/friend. The line between dream and reality is blurred as the pyjama clad and somewhat fey young man talks about his experiences. How real Declan actually is remains an enigma as we delve into Jimbo’s mixed-up mind. His mum, the old lady with cats, a neighbour and his nan’s 90th birthday are all conjured up. Vampiric overtones make the whole atmosphere slightly surreal, and by using minimal props in a bare studio, director, Alexis Gregory successfully creates an unworldly atmosphere. The isolation of this young man is palpable and many of Jimbo’s situations are extremely comprehensible as past, present and future merge ahead of the tragic ending. Author/actor, Alistair Hall, gives us an excellent performance as Declan, and with live theatre being unavailable, this video-streamed transmi
Full Details »

A Kind of Magic, Multiple theatres (online) - ★★★ - Until June 13, 2020

Image
A Kind of Magic is a kind of charming interactive show presented by the definitively charming Richard Essien, aka Magical Bones. Richard is a multi-talented performer familiar to many from Britain's Got Talent but here we only see his work as an up-close magician. This is a highly laudable attempt to bring live entertainment to us whilst theatres remain closed. Not only do we have Magical Bones, but also no less than four other acts crammed into a little less than one hour. It was a little obvious that this is a new concept and we're sure that it will pick up the pace as it continues; all of his tricks worked and were impressive – especially what seems to be his signature work with Rubik's cubes. The fact that this is all performed in close-up makes it all the more impressive. Guest magicians, Brendan Rodrigues and Magic Singh joined by aerialist Shelley Baker and body-popping dancer Brooke Milliner, bring elements of variety to the show but it is the interactive work b
Full Details »

Moment of Grace, The Actors Centre (online) - ★★★★ - Until August 9, 2020

Image
At the heart of this hybrid between theatre and film is the visit of Diana, Princess of Wales to an AIDS ward in 1987. The action is seen through the eyes of three characters superbly performed by Luke Dayhill, Lucy Walker-Evans and Andrew Paul. Dayhill is outstanding as the articulate patient, Andrew, movingly awaiting death. He worries about being outed on television and says "Doing this isn't easy." At times, sharing the challenges of these characters isn't easy either. Patients and nurses alike have to get through with a mixture of humour and hope; their experience is described as "clinics and crematoriums." Walker-Evans superbly portrays the young nurse, Jude, terrified to come into work each day while wondering which of her patients has died during the night. Paul, as firefighter Donnie, has a difficult task – embodying The Sun reader, wrapped in misconceptions, who finds that his gay son, a nurse on the AIDS ward, is HIV positive. Author Bren Gosl
Full Details »

The City Life Magazine | Reviews & Ratings