Off The Top with Jason Kravits and Special Guests, Brasserie Zédel - ★★★★ - Until January 19, 2020

Photographer: Danny Kaan.

Jason Kravits' improv show is magic! With the pace and timing of a master magician he takes random words and phrases from the audience and transforms them into a coherent narrative with improvised musical interludes. He does a terrific parody of a supposed singer doing a lounge act which chronicles his career. In our show, it was Matthew Discovery who shared the details of his life with ingratiating intimacy and a pseudo-sincerity that was made totally hilarious by the absurdity of his life story and the songs created by Kravits' random selection of audience suggestions. Our singer's act never missed a trope of the standard one person cabaret while completely sending up the whole genre. The medley from his 'musical' was a masterclass of improv. One marveled that all those random concepts could be strung together and appear to have some order imposed upon them. We also loved his clever riff on the music of Stephen Sondheim. On this occasion he was joined by guest star, Ruth Bratt whose great singing and improvisation skills matched Kravits' own. It was a delight to enjoy them bouncing off each other musically and comedically. Throughout Kravits was backed by John Thorn (Musical Director/Pianist), Jonny Gee (Bass), and Sophie Alloway (Drums). They never missed a beat as we were taken on an uproarious journey of excellent vocals, stunning inventiveness and spell binding energy!

 Reviewed by J.C.

  Our Score:  ☆☆☆☆ 

 Want to save on tickets? See our Tips page.

 WHEN, WHERE, GETTING THERE:
Until January 19, 2020
Mon - Sat: 7 pm
Brasserie Zédel
Nearest tube: Piccadilly Circus
https://www.brasseriezedel.com/live-at-zedel/jason-kravits-jan-2020?date=225477400
Map & Location: 20 Sherwood St, Soho, London W1F 7ED, UK

Most Popular

RAGS The Musical, Park Theatre - ★★★★★ - Until February 8, 2020

Image
This is an American musical for today! Hallmarks of the genre are big production numbers, a compelling story, outstanding music and performances. This production has them all! Director Bronagh Lagan and choreograper Philip Michael Thomas have done a terrific job of bringing the big Broadway feel to a very small space and having the musicians perform on stage works beautifully. The tale of Jewish immigrants coming to America at the turn of the century is a fascinating one and the epic story captures us with its clear but subtle characterisation. However, while using some old tropes like the stories of paired lovers, the show boldly offers a very 21st century version of a happy ending. The music here suggests the melting pot that was New York in those days with echoes of ragtime, klezmer street music and hints of jazz. Songs like "Greenhorns," "Three Sunny Rooms," and "Children of the Wind" become instantly memorable as do some of the performances. Carolyn …
Full Details »

Scrounger, Finborough Theatre - ★★★★ - Until February 1, 2020

Image
Athena Stevens, writer and titular protagonist of Scrounger, begins by making the audience squirm, accusing us, possibly accurately, of patronising or sidelining those with disabilities from behind our glass of Pimm's and copy of The Guardian. However, over a lengthy, unbroken 100 minutes, we are absorbed into Athena's struggle with the world after being removed from an aeroplane due to her large wheelchair and the consequences thereof. Aided by Leigh Quinn cleverly playing a truly astonishing range of other characters, we live through the stresses of Athena's fight for justice. Leigh is tremendous, and often very funny, as she switches roles in a nanosecond. Excellent sound, lighting and an interesting minimalist set all add immensely to the performance. However, the evening belongs to the incomparable Athena Stevens who, almost incidentally, was born with cerebral palsy. It takes time to accustom oneself to her delivery but very soon her stoicism and humanity shine throu…
Full Details »

Tom Brown's School Days, The Union Theatre - ★★★ - Until February 2, 2020

Image
Tom Brown's School Days was an enormously popular book when it was published and it created a genre of writing that is echoed in the current cult of Harry Potter. The story shows public school boys experiencing the hardship, bullying and camaraderie of a 'privileged' education in order to learn life values and emerge as great leaders. The notion seemed more than näive after the experience of WW I, but the simple theme of good values honed by the adversity of a harsh educational environment has remained enduring. This version updates the tale to the World War II period, but it also offers a commentary on many current social and political concerns. Bullying has not gone away in the microcosm of our schools nor in the macrocosm of the political arena. Indeed, it seems to have become almost the stock and trade of current politics. Thomas Hughes saw the public school system as a baptism of fire for creating leaders with values and integrity; Phil Wilmott has largely eschewed ir…
Full Details »

Four Play, Above The Stag Theatre - ★★★★ - Until February 22, 2020

Image
What makes a successful relationship? Fidelity? Honesty? Both or neither? Jake Brunger's Four Play explores the question of whether an open relationship can work, or are there just romantic, faithful people and sexually adventuresome, unfaithful ones – and ne'er the twain should meet. Pete (Keeran Blessie) and Rafe (Ashley Byam) have been together seven and a half years and have never had another partner. They decide to ask friend Michael (Declan Spaine) to help them explore new horizons. He's a safe bet because he's in an open relationship with Andrew (Marc MacKinnon). No danger of an emotional entanglement there, but he needs to be discreet about the experiment! And so the fun and complications begin. Although historically speaking, sexual fidelity became the gold standard of commitment and love in heterosexual partnerships relatively recently (with women never getting an equal right to play around) it has now also been adopted by many gay people, with all the usual …
Full Details »

The Little Prince, The Place - ★★★★★ - Until December 24, 2019

Image
Utterly enchanting describes Luca Silvestrini's interpretation of Antoine de Saint-Exupéry's classic book, The Little Prince. This is a largely danced version of the story with some of the performers talking directly to the audience as it introduces us to various characters from the allegory about a boy's search for love and friendship. He encounters, among others, a crashed pilot, a mathematician, a fox, and a king. Everyone's favourite is the fox, delightfully danced and spoken by Andrew Gardiner; he really embodies that invisible but essential quality – friendship. The disembodied head of the King without any subjects is perhaps the cleverest image and Donna Lennard is extremely funny here as a talking rose bush. However, dance honours must go to Emily Thompson-Smith and Kip Johnson as the Little Prince and the Pilot. Frequently bewildered Emily wonderfully whirls and clambers over the globes which roll and float around in Yann Seabra's beautiful and spectacular…
Full Details »

Crybabies: Danger Brigade, Soho Theatre - ★★★★ - Until January 11, 2020

Image
We weren't sure what to expect and now we're still debating what we saw. We agree, however, that this was a highly entertaining theatrical experience and not like anything we've seen before. It is absurdist theatre at its best: funny, thought-provoking and a little bewildering. The narrative is more or less set in World War II and there is a story dealing with more Daddy issues than Sylvia Plath, but that barely scratches the surface. The danger brigade take on a Nazi plot in a plot line so complicated we're not sure we always followed it, but it certainly led us on an amusing romp. The humour came out of dreadful puns, absurd situations and objects that had personalities. The pace is literally mind-boggling and the three actors are quite mesmerising as they take on various characters becoming everything from mad Nazi scientists to pregnant tables to children accidentally used as footballs. The cast's timing is inspired and one's mind never wanders as we are co…
Full Details »

You Stupid Darkness! - Southwark Playhouse - ★★★★ - Until February 22, 2020

Image
“Life goes on” is what Sam Steiner seems to say in You Stupid Darkness! This is borne out in James Grieve's beautifully conceived production, Amy Jane Cook's design and Peter Small's terrific lighting. We are in some undefined post-apocalyptic Samaritans-like call centre as toxic storms rage outside. The team leader (the excellent Jenni Maitland) is at first irritatingly bossy but slowly gains our sympathy as does the skittish Angie (Lydia Larsen); her despair as she loses a caller is beautifully realised. Andy Rush is tremendous as subtly gay Jon whilst Andrew Finnigan (Joey) completes a superb cast. We see Joey's work-experience serve to delicately mature him from a boy to a man. The scene where the undertones of gay attraction emerge is also tremendously well played. There are moments of telling silence and some excellent laughs. The characters deal with people experiencing depression and other mental health issues whilst simultaneously battling their own demons, an…
Full Details »

Falling In Love Again, King's Head Theatre - ★★★ - Until February 8, 2020

Image
Before the Meghan and Harry 'scandal,' there was the shock of a royal who stepped back from the throne apparently for love. In 1936, the world was enthralled by and enjoyed arguing about the relationship of Edward VIII and his lover, Wallis Simpson. Depending on your point of view the abdication was a triumph of love or an abandonment of duty. This play focuses on the night before Edward's abdication when he is known to have met with Hollywood screen legend, Marlene Dietrich. Their conversation is not recorded but the play makes use of historical information about the two personalities to reconstruct what they might have discussed. Such facts as Dietrich's well-known distaste for the Nazis and Edward's fascination with Hitler are alluded to. The king's attraction to dominant women and Dietrich's femme fatale persona underlie the dynamics of the evening's interaction, and in this play Dietrich tries to seduce Edward and dissuade him from abdicating. The …
Full Details »

Shackleton and his Stowaway, Park Theatre - ★★★ - Until February 1, 2020

Image
Shackleton's antarctic expedition and the survival of his party after the loss of their ship is a story which has continued to fascinate the public. It is an awesome feat of courage and endurance, and Shackleton's character and decisions have continued to provoke speculation and debate. In this version, the character of the proud, unbending and ever-optimistic Shackleton is set against the more realistic, pragmatic and earthy perspective of a youthful stowaway. The latter holds his hero in the highest of esteem yet questions some of Shackleton's views and decisions. While it is interesting to see how the two are played off against each other, the problem is that neither character seems to develop and the interpersonal drama is quite limited in its scope. Nevertheless, Richard Ede creates a credible Shackleton and Elliott Ross is a delightfully cheeky stowaway. As the characters are essentially flat, the dramatic crux of the piece becomes the situation of the crew of the En…
Full Details »

The City Life Magazine. Reviews and Ratings.