This latest offering from the English National Ballet presents two works loosely connected by the theme of body and soul. The first, by the renowned choreographer Crystal Pite, is titled Body and Soul (Part 1). Set to a French text that largely describes the dancers’ movements, it unfolds across eight brief scenes. The piece is at its most evocative when Pite deploys a large group of dancers, creating exquisite passages such as the mirroring of the rhythmic surge of waves against the shore. However, the work lacks the narrative richness found in some of Pite’s finest creations, such as Revisor and Assembly Hall . While there are undeniably striking moments and some fine pas de deux , the production also fails to attain the level of her more abstract achievements, such as Figures in Extinction . Even so, encountering Pite’s choreography remains a consistently rewarding experience. The second piece, Proper Conduct , is a new work by Kameron N. Saunders. Divided into three parts, it unf...