The art of mime has deep theatrical roots in France, evolving from commedia dell’arte and 19th-century pantomime into a modern form centred on gesture, silence, and physical storytelling. In the 20th century, Marcel Marceau elevated mime to international prominence through his character Bip and his poetic, wordless exploration of human emotion. At the same time, filmmaker Jacques Tati brought mimetic comedy to cinema, using precise physicality and keen observation to satirise modern life through his iconic Monsieur Hulot. This tradition is closely linked to silent film comedy, where meaning is carried through movement rather than speech. Like Marceau and Tati, silent-era figures such as Charlie Chaplin and Buster Keaton relied on gesture, timing, and physical invention to convey character and emotion, revealing a shared visual language of humour and poetry beyond words. The Compagnie Le Fils du Grand Réseau continues this lineage by translating French mime and visual comedy into a con...