Camberwell Fair ★★ FREE


There was a Camberwell Fair from 1279 till 1855 when it was closed by local authorities for “immoral and riotous behaviour.” The Fair returned in 2015. There is a market, two stages and lots of food and drink. Craft stalls and local organizations showcase their wares and their works.

 Reviewed by J.C.

 Our Score:  ☆☆ 

WHEN, WHERE, GETTING THERE:
Last Reviewed: August 2020
Camberwell Green
Nearest tube: Denmark Hill
www.camberwellfair.co.uk
Map & Location: Camberwell Green, Camberwell, London SE5, UK

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St. Martin in-the-fields: Lunchtime Concerts ★★★★ FREE

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Maybe the best musical value in London. The lunchtime concerts at St. Martin's are always a wonderful way to escape the hustle and bustle that is London and the sensory overload that is Trafalgar Square. This is a beautiful setting with great acoustics, and a church pew hard enough to make sure you don't nod off. Reviewed by J.C.  Our score:    ☆☆☆☆  WHEN, WHERE, GETTING THERE: Mon & Fri: 1 pm - 1:45 pm ( occasionally Tues & Thurs)  St. Martin in-the-fields, Trafalgar Square Nearest tube: Charing Cross https://www.stmartin-in-the-fields.org/whats-on
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It is easy to misremember Lerner and Loewe’s My Fair Lady as simply another musical romcom, but this superb production reminds us that it is rooted in George Bernard Shaw’s Pygmalion . Along with the beguiling love story, there is a sharp and insightful commentary on class, gender, and the social forces that shape us. This is a transformation tale with something to say, and this first-rate staging gets the balance exactly right between fairy tale romance and pointed social critique. The beloved story of the Cockney flower girl who blossoms into a lady and the brilliant but blinkered academic, who finds he has a heart after all, is presented with uncommon clarity and warmth. It is not only the tale of Eliza’s metamorphosis, a working class woman discovering her independence, her identity, and her voice. It is also about the detached and self assured middle class academic Henry Higgins learning, sometimes painfully, what it means to truly listen. Simbi Akande is a radiant Eliza Doolittl...
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Coven ★★ Kiln Theatre | Until January 17, 2026

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Coven seeks to transform the seventeenth-century obsession with witches into a musical in the spirit of Six . The historical horror becomes an anachronistic retelling inspired by the Pendle Witch Trials and by the idea that Jenet Device, a child witness in the 1612 trials, later became a victim of the dark arts hysteria in 1633. In the first act, Jenet is imprisoned with several women accused of witchcraft although their 'crimes' really consist of practicing natural healing, assisting in childbirth, or offending powerful men. All are victims of a repressive patriarchy, an authoritarian church, and a deeply corrupt legal system. However, the portrayal of these women and their stories feels heavy-handed, and by the end of Act I the central narrative and main character remain uncertain. Only in the second act, through a flashback that explores Jenet’s psyche, do we learn her history and recognise her as the true protagonist. The scattered plot threads from the first act then begi...
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David Copperfield ★★★★ Jermyn Street Theatre | Nov 20 - Dec 20, 2025

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It seems like an impossible task. Can you really squeeze all of the incidents and characters of one of Dickens' sprawling novels into a two-hour theatrical production and have all of the people played by only three actors? Amazingly, the Guildford Shakespeare Company manages to do just that. This theatrical version of Dickens' semi-autobiographical masterpiece is remarkably faithful to the original story, and somehow the small cast brings to life each of the author's wonderfully eccentric creations. From the ever optimistic Mr Micawber to the unctuous Uriah Heep every figure David Copperfield encounters on his life-journey becomes a believable and engaging personage. As in the novel, we begin at the moment of David's birth and end with his marriage to a paragon of Victorian virtue. Along the way we are introduced to a plethora of weird characters and must navigate a convoluted plot that is riddled with coincidence. Refreshingly in this telling, the familiar Dickensian...
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Porn Play ★★★ Royal Court Theatre | Nov 6 - Dec 13, 2025

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Ani is a successful academic who lectures on Milton and has recently won an award for her latest book. She is in a relationship with a sensitive, gentle man, and on the surface, she seems to have it all. Yet beneath her success, Ani harbours a preoccupation with violent pornography which threatens to undermine both her personal and professional life. Sophia Chetin-Leuner’s drama explores two intertwined themes: the transgressive nature of sexual fantasies which gain their erotic power from being taboo and the fact that obsessive behaviour often stems from unresolved trauma. Ani’s addiction to porn and her excessive masturbation initially serve to numb her grief over her mother’s death. However over time, they begin to erode both her relationships and career. These themes are then developed through literary concepts, primarily drawn from Milton. The play opens with a reference to the Narcissus myth, which is later illuminated in Ani’s lecture on Paradise Lost , where she examines Milton...
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End ★★★★ National Theatre | Nov 13 - Jan 17, 2026

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End is the third play in David Eldridge's trilogy about couples at different stages of their relationships. In this final instalment, Alfie (Clive Owens) and Julie (Saskia Reeves) confront Alfie’s imminent death from cancer. Their exchanges are at once humorous and deeply affecting as they revisit memories, moments of happiness, regrets, and past conflicts. Plans for the funeral become conversations about dying and tentative imaginings of what might lie ahead. Each of the three plays is set in the morning, a liminal period between night and day that suggests transition and vulnerability. However, in this instance, the strictly limited timeframe feels somewhat contrived. Too much is compressed into a span that in reality would unfold over several days. Dividing the play into a series of distinct scenes with overlapping discussions might have made for greater verisimilitude and prevented some of the abrupt changes in tone and subject matter. Within ninety minutes all five of Kübler...
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The Spy Who Came In From The Cold ★★★ @sohoplace | Nov 17, 2025 - Feb 21, 2026

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John le Carré’s landmark espionage tale remains a defining work of the genre. At the height of the Cold War, spymaster Alec Leamas has just seen one of his most trusted agents killed. Ready at last to abandon the service, he is instead drawn into a final, intricate scheme meant to topple his old adversary, Mundt, head of East Germany’s foreign intelligence apparatus. Leamas is only required to present himself as a whiskey-soaked cynic who is willing to betray his country - a role that comes all too naturally to a man who has grown tired of every trick in the trade. Yet two forces could unravel this cunning plan: the romantic resurrection of Leamas' long-extinguished idealism, or the dawning suspicion that he is a pawn, rather than a player, in someone else’s unforgiving game. David Eldridge’s adaptation and Jeremy Herrin’s meticulous staging capture the novel’s bleak, noir-tinged world with striking fidelity. Even the heavy burden of exposition, required to guide the audience throu...
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All My Sons ★★★★★ Wyndham’s Theatre | Until March 7, 2026

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Bryan Cranston’s star shines brightly in Ivo Van Hove’s splendid revival of Arthur Miller’s 1946 masterpiece. Cranston is a completely compelling presence as Joe Keller, the kindly older businessman who plays imaginary games with neighbourhood children. His portrayal is simply remarkable as this pleasant veneer is peeled away and the war profiteer and self-serving sophist beneath it are revealed. The games he shares with the children echo the ones he plays with his family and friends, whom he draws into colluding with his pretence of innocence and with the web of rationalisations he has spun for his past actions. Miller’s work carries an epic weight that Van Hove captures with his sparse staging, and Cranston’s performance evokes the moral authority and emotional force of Greek tragedy. As Joe’s wife, Kate, whose belief in her husband is tied to her certainty that her son survived the war, Marianne Jean-Baptiste also gives an unforgettable performance. The strong cast is completed by P...
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Ride the Cyclone ★★★★★ Southwark Playhouse, Elephant | Nov 14, 2025 - Jan 10, 2026

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