Carnaby Street Eat London ★ FREE


If you are walking in the area on the day of Carnaby Street Eats, local food vendors have set up outdoor booths and it is an opportunity to buy their wares (no free samples here). Al fresco dining makes a nice change from an indoor lunch, and you can enjoy the West End’s longest picnic table. There is even more hustle and bustle than usual on the always busy Carnaby Street, and the atmosphere is enhanced by a small entertainment venue.

Reviewed by J.C.

 Our Score:  ☆ 

WHEN, WHERE, GETTING THERE:
Last Reviewed: August 2020
Carnaby Street
Nearest tube: Oxford Circus
http://carnaby.co.uk
Map & Location: Carnaby St, Carnaby, London, UK

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Beauty and the Beast: A Horny Love Story ★★★★★ Charing Cross Theatre | Nov 21, 2025 - Jan 11, 2026

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This year’s big and gloriously gay panto from the “He’s Behind You!” gang has burst into the Charing Cross Theatre, and it has arrived like it owns the place. Beauty and the Beast: A Horny Love Story brings back several familiar faces, including the incomparable Matthew Baldwin, who now plays the mother of two gay children living at a petrol station in the Scottish Highlands. Baldwin is every bit as majestic as you imagine a woman in a fluorescent tabard can be. Laura Anna-Mead playing Bonnie, the frequently ignored lesbian daughter, bounces through the show with a delightful energy, while Matt Kennedy completely charms as Bertie, the titular beauty. As his beastly counterpart Keanu Adolphus Johnson is ferociously fabulous. Chris Lane earns his boos and hisses as Cornelius, the villainous brother whose moral compass has a limp arrow, while Dani Mirels deserves her cheers as the blue-haired enchantress who finds love. However, again this year, it is Baldwin who storms the stage. With a...
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It is easy to misremember Lerner and Loewe’s My Fair Lady as simply another musical romcom, but this superb production reminds us that it is rooted in George Bernard Shaw’s Pygmalion . Along with the beguiling love story, there is a sharp and insightful commentary on class, gender, and the social forces that shape us. This is a transformation tale with something to say, and this first-rate staging gets the balance exactly right between fairy tale romance and pointed social critique. The beloved story of the Cockney flower girl who blossoms into a lady and the brilliant but blinkered academic, who finds he has a heart after all, is presented with uncommon clarity and warmth. It is not only the tale of Eliza’s metamorphosis, a working class woman discovering her independence, her identity, and her voice. It is also about the detached and self assured middle class academic Henry Higgins learning, sometimes painfully, what it means to truly listen. Simbi Akande is a radiant Eliza Doolittl...
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Top Hat ★★★★ Southbank Centre | Dec 12, 2025 - Jan 17, 2026

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St. Martin in-the-fields: Lunchtime Concerts ★★★★ FREE

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Maybe the best musical value in London. The lunchtime concerts at St. Martin's are always a wonderful way to escape the hustle and bustle that is London and the sensory overload that is Trafalgar Square. This is a beautiful setting with great acoustics, and a church pew hard enough to make sure you don't nod off. Reviewed by J.C.  Our score:    ☆☆☆☆  WHEN, WHERE, GETTING THERE: Mon & Fri: 1 pm - 1:45 pm ( occasionally Tues & Thurs)  St. Martin in-the-fields, Trafalgar Square Nearest tube: Charing Cross https://www.stmartin-in-the-fields.org/whats-on
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Daniel’s Husband ★★★ Marylebone Theatre | Dec 4, 2025 - Jan 10, 2026

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Michael McKeever’s play opens with a long-established gay couple hosting a friend and the latest young man he is dating. The alcohol and the banter are flowing, and we seem to be in familiar comedic territory until an argument breaks out over gay marriage. Mitchell, a writer and Daniel’s partner, considers marriage an unnecessary, heteronormative expression of commitment. The remainder of the play is about Mitchell, and the audience, learning the importance of the institution of marriage for gay couples. Despite some clever dialogue and some good character development, this work is mainly didactic, and when Daniel falls ill, there is an uneasy sense of emotional manipulation which accompanies the lesson that we are being taught. The play also glosses over the truly formidable realities faced by caregivers when a partner develops a chronic condition. In this world both Mitchell and Daniel’s mother are affluent enough to argue over who will assume responsibility for his care without havi...
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Indian Ink ★★★★★ Hampstead Theatre | Dec 3, 2025 - Jan 31, 2026

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This first-rate production of Tom Stoppard’s palimpsestic masterpiece is simply a must-see. When the English poet Flora Crewe travels to India, she sits for a portrait by the Indian painter Nirad Das. Both that portrait and this play reflect the complex melding of cultures that emerged from the British presence in India. Exploring different approaches to art and the presentation of the artist, the drama also exposes the intricate and often fraught political relationship between the two countries whose histories became so deeply intertwined. Flora’s meeting with the Indian painter hints at the complicated dynamic between a dying imperial vision and its colonial subject, while also questioning the epistemological frameworks through which we seek to understand the past. Many years later, Crewe's American biographer meets with her sister Mrs Swan as he attempts to reconstruct that Indian encounter. Both that actual experience and the artistic impression of Crewe created by Das stand in...
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When We Are Married ★★★★ Donmar Warehouse | Dec 6, 2025 - Feb 7, 2026

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Set in 1908 and written in 1938, When We Are Married was produced shortly after the passage of the Matrimonial Causes Act of 1937, which expanded the grounds for divorce beyond adultery to include cruelty and desertion. At the turn of the century, particularly for the chapel-going middle classes, marriage was firmly understood as a till-death-do-us-part commitment. For Priestley’s original audience, the play’s premise that three couples might discover, after twenty-five years together, that they were not legally married and could therefore make different choices was not only comic but almost subversive. Times have changed, but Priestley’s comedy remains strikingly relevant, especially in its clear-eyed identification of the pressures that can undermine marriage: infidelity, financial anxiety, and bullying abuse. Although these themes are treated lightly, the point behind the laughter remains sharp. The play offers shrewd insight into relationships, class and the hypocrisy that often i...
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David Copperfield ★★★★ Jermyn Street Theatre | Nov 20 - Dec 20, 2025

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It seems like an impossible task. Can you really squeeze all of the incidents and characters of one of Dickens' sprawling novels into a two-hour theatrical production and have all of the people played by only three actors? Amazingly, the Guildford Shakespeare Company manages to do just that. This theatrical version of Dickens' semi-autobiographical masterpiece is remarkably faithful to the original story, and somehow the small cast brings to life each of the author's wonderfully eccentric creations. From the ever optimistic Mr Micawber to the unctuous Uriah Heep every figure David Copperfield encounters on his life-journey becomes a believable and engaging personage. As in the novel, we begin at the moment of David's birth and end with his marriage to a paragon of Victorian virtue. Along the way we are introduced to a plethora of weird characters and must navigate a convoluted plot that is riddled with coincidence. Refreshingly in this telling, the familiar Dickensian...
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The Red Shoes ★★★★ Sadler's Wells Theatre | Dec 2, 2025 - Jan 18, 2026

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Taking inspiration from the 1948 Powell and Pressburger film, Matthew Bourne has created a sumptuous interpretation of The Red Shoes that bears his unmistakable signature while honouring Hans Christian Andersen’s tale of artistic obsession. The production possesses a strikingly cinematic quality and moves with remarkable fluidity from scene to scene. Lez Brotherston’s set design masterfully shifts between the world onstage and the more intimate realm behind the curtain, allowing the audience to experience both the external praise afforded to the young dancer Victoria Page and the private turmoil that drives her. Paule Constable’s expressive lighting enriches these transitions with subtle and atmospheric precision. Indeed, the staging of this production is extraordinarily rich, creating layers of visual interest that can border on overwhelming. As Page, Cordelia Braithwaite conveys her character’s emotional struggle with exceptional clarity, capturing the tension between her devotion t...
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