Carnaby Street Eat London ★ FREE


If you are walking in the area on the day of Carnaby Street Eats, local food vendors have set up outdoor booths and it is an opportunity to buy their wares (no free samples here). Al fresco dining makes a nice change from an indoor lunch, and you can enjoy the West End’s longest picnic table. There is even more hustle and bustle than usual on the always busy Carnaby Street, and the atmosphere is enhanced by a small entertainment venue.

Reviewed by J.C.

 Our Score:  ☆ 

WHEN, WHERE, GETTING THERE:
Last Reviewed: August 2020
Carnaby Street
Nearest tube: Oxford Circus
http://carnaby.co.uk
Map & Location: Carnaby St, Carnaby, London, UK

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Les Liaisons Dangereuses ★★★ National Theatre | Mar 21 - Jun 6, 2026

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Spoilt, rich people whose sole occupation is scheming to destroy the lives of the naïve and gullible. No, this is not a dramatised version of the Epstein files. Pierre Choderlos de Laclos’ eighteenth-century epistolary novel, depicting amoral aristocrats on the brink of the French Revolution, has inspired many incarnations, yet it continues to shock and, at times, to delight. Christopher Hampton’s stage adaptation, first presented in 1985, streamlines the narrative, focusing on the rivalry and tangled emotional connection between the two master manipulators: the Marquise de Merteuil, played by Lesley Manville, and the Vicomte de Valmont, portrayed by Aidan Turner. Together they engage in a vicious game, with Valmont attempting to seduce both the innocent Cécile de Volanges and the devout Madame de Tourvel. It is wickedly entertaining material, and it proves just as intriguing in this context as it does in the well-known teen film, Cruel Intentions . There are, however, some issues with...
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Coven ★★ Kiln Theatre | Until January 17, 2026

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Coven seeks to transform the seventeenth-century obsession with witches into a musical in the spirit of Six . The historical horror becomes an anachronistic retelling inspired by the Pendle Witch Trials and by the idea that Jenet Device, a child witness in the 1612 trials, later became a victim of the dark arts hysteria in 1633. In the first act, Jenet is imprisoned with several women accused of witchcraft although their 'crimes' really consist of practicing natural healing, assisting in childbirth, or offending powerful men. All are victims of a repressive patriarchy, an authoritarian church, and a deeply corrupt legal system. However, the portrayal of these women and their stories feels heavy-handed, and by the end of Act I the central narrative and main character remain uncertain. Only in the second act, through a flashback that explores Jenet’s psyche, do we learn her history and recognise her as the true protagonist. The scattered plot threads from the first act then begi...
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St. Martin in-the-fields: Lunchtime Concerts ★★★★ FREE

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Maybe the best musical value in London. The lunchtime concerts at St. Martin's are always a wonderful way to escape the hustle and bustle that is London and the sensory overload that is Trafalgar Square. This is a beautiful setting with great acoustics, and a church pew hard enough to make sure you don't nod off. Reviewed by J.C.  Our score:    ☆☆☆☆  WHEN, WHERE, GETTING THERE: Mon & Fri: 1 pm - 1:45 pm ( occasionally Tues & Thurs)  St. Martin in-the-fields, Trafalgar Square Nearest tube: Charing Cross https://www.stmartin-in-the-fields.org/whats-on
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The Old Ladies ★★★★ Finborough Theatre | Mar 24 - Apr 19, 2026

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When the timid and impecunious Miss Beringer moves into her new lodgings, she is warmly received by her sympathetic and kindly landlady, Mrs Amorest. However, her relationship with her fellow lodger soon proves far more fraught. It becomes clear that the formidable, almost malevolent, Mrs Payne covets Miss Beringer’s sole possession of value, a piece of amber given to her by a friend who has moved to India. Written in 1935 by Rodney Ackland and adapted from Hugh Walpole’s earlier novel, the play is a slender Gothic thriller that faintly echoes the macabre sensibilities of a short story by Edgar Allan Poe. The narrative itself is insubstantial, and the piece relies heavily on atmosphere and sharply etched characterisation. In both respects, this production proves strikingly effective. Juliette Demoulin’s set design conjures a vivid sense of shabby, faintly sinister decay, while Carla Joy Evans’s costumes are impeccably judged, ranging from the frayed gentility of Mrs Amorest and the uno...
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Power of Sail – A Moral Thriller ★★★★ Menier Chocolate Factory | Mar 20 - May 12, 2024

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The bon mot that academic politics are so vicious precisely because the stakes are so small has various attributions, and its history of apparently being "borrowed" is not without some irony. Set in the context of a debate about free speech, Paul Grellong has written a piece that is less a moral thriller and more of a satire. It is really about the pettiness and lack of principle involved in navigating one's way through the choppy seas of academia. The play doesn't really do much to advance the debate about finding the line between hate speech and free speech, but it is a clinical dissection of the mendacity and petty ambition that infects the environment of those who are supposedly charged with exploring and refining that important distinction. Apparently under the rubric of free speech, Harvard professor Charles Nichols (Julian Ovenden) has invited a well-known white supremacist to participate in a panel at the university. The students are outraged and the dean is ...
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If. Destroyed. Still. True. ★★★ The Hope Theatre | Apr 26 - May 14, 2022

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"You can't go home again." If. Destroyed. Still. True. is a familiar story of friends separated by time and the decisions to follow different paths in life. Jack Condon presents two young men who have bonded in youth but who become separated and increasingly lost to one another as they grow up. John, played by Condon, fears change and clings to the familiar even as he recognises how it limits his life. In the end, he retreats to a world of nostalgia, alcohol and anger. Best friend, James, played by Theo Ancient, manages to negotiate the path of social mobility but is riddled by guilt about what he has left behind. Both actors bring a resonant truth to their performances, and Condon is especially convincing as the partially self-aware, awkwardly articulate John. While Whitney Kehinde rings true as Charlotte, James' girlfriend, it is a role that is only partially developed. We are left guessing at her backstory, and her character serves only to bring into focus the fra...
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White Christmas ★★★★ The Mill at Sonning | Nov 27, 2024 - Jan 25, 2025

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It's official! Christmas is here. With a traditional buffet meal and their always enjoyable holiday show, The Mill at Sonning has kicked off the season! White Christmas with its satisfyingly predictable story is all about the music and the dancing, and Director Jonathan O'Boyle does a brilliant job of taking a small stage and capturing the essence of a big film musical. The tale of two GIs who, following the war, become a famous double act, and who then team up with a pair of singing sisters to put on a show which will save the Vermont inn owned by their former commander, is as sweet as maple syrup. It certainly takes us back to a simpler, more optimistic time in America, and there's not a hint of irony anywhere. In this iteration of the classic, the cast dance up a storm with some terrific choreography from Gary Lloyd, and celebrate Irving Berlin's great song classics such as "White Christmas," "Blue Skies" and "Count Your Blessings." The...
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Sweetmeats ★★★ Bush Theatre | Feb 7 - Mar 21, 2026

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When two South Asian elders meet at a diabetes management course, romance is the last thing on the agenda. Yet in Karim Khan’s charming romantic comedy, love proves to be the sweetest item on offer. Diabetes becomes more than a medical condition. It serves as a metaphor for grief, while food stands in for the affection missing from the lives of Hema and Liaquat, both widowed and unsure whether love can return. Hema has created a combative persona, fortifying herself against further hurt. Liaquat, by contrast, is burdened by regret, haunted by feelings he never voiced. They bond over their shared weakness for sweets and the resultant diabetes, but their differences are pronounced. She is Indian and he is Pakistani. Even so, what unites them gradually outweighs what divides them. The political message is clear without being laboured. Performed by Shobu Kapoor and Rehan Sheikh, Hema and Liaquat are instantly recognisable and deeply sympathetic. We root for them to take the risk and find h...
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John Proctor is the Villain ★★★★★ Royal Court Theatre | Mar 20 - Apr 25, 2026

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When a class of students meets to study The Crucible , the play takes on a radical new interpretation and some small town secrets begin to surface. Kimberly Belflower has crafted a work that updates Arthur Miller’s allegory, in which the Salem witch trials prefigure 1950s America’s obsession with communism and Joseph McCarthy’s Red Scare, a period that smeared the reputations of many innocent people. Set in 2018, at the height of the #MeToo movement, John Proctor is the Villain explores sexual exploitation and the challenge of persuading others to believe what cannot easily be proven when the powers that be are not on side. While Miller’s commentary focused on mob hysteria, which reinforced the prevailing orthodoxy, Belflower examines the other side of the question. How do the voiceless assert themselves in the face of entrenched authority? Dónal Finn is utterly compelling as the cool young English teacher Mr Smith, who draws the best from his class. It is a performance that will reso...
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The Authenticator ★★★★★ National Theatre | Until May 9, 2026

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When some 18th-century diaries written by the founder of Harford House are discovered, his descendant Fenella calls in two academics, Abi and Marva, to examine them. The manuscripts, which detail Harford’s involvement in the slave trade, soon prove to be far more than a mere catalogue, and the complex history of Britain’s role in the enslavement of Africans acquires a distinctly human face. The subject is a fraught one, with strong, often ahistorical and unnuanced opinions drowning out the complicated reality. Winsome Pinnock has written a fascinating and richly funny play that shows how this heritage touches three women, each in a very different way. Pinnock manages to explore the complexity of her subject with extraordinary humour and humanity. This is theatre at its finest, taking on a difficult subject, humanising it, making it dramatically compelling and avoiding the needlessly didactic. There is much to learn and much to ponder in this play, but it is also deeply entertaining. Sy...
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