My Westminster Day ★★ FREE


This second annual day featured an open air dance floor, several food stalls and presentations by community groups from across Westminster. There were performances in the bandstand and free face painting and arts and crafts for the children. It is a quiet family affair.

 Our score:  ☆☆ 

WHEN, WHERE, GETTING THERE:
Last Reviewed: June 2019
Paddington Recreation Ground, Maida Vale
Nearest tube: Maida Vale
Map & Location: Randolph Ave, Maida Vale, London W9 1PD, UK

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Coven ★★ Kiln Theatre | Until January 17, 2026

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Coven seeks to transform the seventeenth-century obsession with witches into a musical in the spirit of Six . The historical horror becomes an anachronistic retelling inspired by the Pendle Witch Trials and by the idea that Jenet Device, a child witness in the 1612 trials, later became a victim of the dark arts hysteria in 1633. In the first act, Jenet is imprisoned with several women accused of witchcraft although their 'crimes' really consist of practicing natural healing, assisting in childbirth, or offending powerful men. All are victims of a repressive patriarchy, an authoritarian church, and a deeply corrupt legal system. However, the portrayal of these women and their stories feels heavy-handed, and by the end of Act I the central narrative and main character remain uncertain. Only in the second act, through a flashback that explores Jenet’s psyche, do we learn her history and recognise her as the true protagonist. The scattered plot threads from the first act then begi...
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St. Martin in-the-fields: Lunchtime Concerts ★★★★ FREE

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Maybe the best musical value in London. The lunchtime concerts at St. Martin's are always a wonderful way to escape the hustle and bustle that is London and the sensory overload that is Trafalgar Square. This is a beautiful setting with great acoustics, and a church pew hard enough to make sure you don't nod off. Reviewed by J.C.  Our score:    ☆☆☆☆  WHEN, WHERE, GETTING THERE: Mon & Fri: 1 pm - 1:45 pm ( occasionally Tues & Thurs)  St. Martin in-the-fields, Trafalgar Square Nearest tube: Charing Cross https://www.stmartin-in-the-fields.org/whats-on
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The Holy Rosenbergs ★★★★★ Menier Chocolate Factory | Feb 27 - May 2, 2026

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In 2011, Ryan Craig wrote a play about the first Gaza war of 2009. The work carries an even deeper resonance in today’s fraught political climate. David Rosenberg once ran a successful Jewish catering business, but he has fallen on hard times after a rumour spread through the neighbourhood that his food caused a woman’s death by food poisoning. His wife Lesley believes they should leave the area that has now turned its back on them, but David is determined to restore his reputation. The fact that their son died defending Israel is seen as a way of re-establishing the family’s standing among those around them. Yet their daughter’s involvement in an inquiry that may bring charges against the Jewish state for its conduct during the 2009 Gaza war threatens this fragile hope of acceptance. The family’s predicament becomes a microcosm of a larger dilemma. At what point do the rewards of belonging to a family, a community, or a nation demand a loyalty that endangers personal integrity, and ho...
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English National Ballet - Body & Soul ★★★ Sadler's Wells Theatre | March 19 - 28, 2026

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This latest offering from the English National Ballet presents two works loosely connected by the theme of body and soul. The first, by the renowned choreographer Crystal Pite, is titled Body and Soul (Part 1). Set to a French text that largely describes the dancers’ movements, it unfolds across eight brief scenes. The piece is at its most evocative when Pite deploys a large group of dancers, creating exquisite passages such as the mirroring of the rhythmic surge of waves against the shore. However, the work lacks the narrative richness found in some of Pite’s finest creations, such as Revisor and Assembly Hall . While there are undeniably striking moments and some fine pas de deux , the production also fails to attain the level of her more abstract achievements, such as Figures in Extinction . Even so, encountering Pite’s choreography remains a consistently rewarding experience. The second piece, Proper Conduct , is a new work by Kameron N. Saunders. Divided into three parts, it unf...
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Mary, Queen of Scots ★★★★★ Sadler's Wells Theatre | March 5 - 8, 2026

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In 2019, to celebrate its 50th-anniversary season, Scottish Ballet commissioned five new works. The fifth and final of these, Mary, Queen of Scots , is choreographed by the company’s resident choreographer Sophie Laplane with an original score by Mikael Karlsson and Michael P. Atkinson. The result is a work of striking theatrical imagination and choreographic ambition. The ballet unfolds in the winter of Elizabeth I’s life. The ageing queen looks back on her turbulent relationship with her cousin Mary and the chain of events that ultimately led to Mary’s execution at Elizabeth’s command. Memory merges with imagination throughout the narrative. While the broad sweep of history remains intact, the work allows itself moments of poetic licence that deepen its emotional resonance. We first encounter Mary at the French court where she marries Francis II. His death leaves her estranged from her formidable mother-in-law Catherine and forces her return to Scotland. She is accompanied by the mus...
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Vincent in Brixton ★★★★ Orange Tree Theatre | Mar 14 - Apr 18, 2026

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Vincent van Gogh spent two distinct periods in London. He stayed for two years from 1873 to 1875 before returning briefly in 1876. During his first stay he lodged with Ursula Loyer and fell in love with her daughter, Eugénie, who rejected him. Nicholas Wright’s play Vincent in Brixton reimagines this episode, deepening it into a more intricate emotional entanglement for the young art dealer’s assistant who would later become one of the most celebrated artists of all time. The play presents Van Gogh as a blunt, almost gauche young man with a striking lack of social restraint. His speech is impulsive, unguarded, and at times painfully direct, yet this very openness lends him a disarming vulnerability. Wright uses this quality to explore the tension between naivety and perception, suggesting that the same emotional candour that isolates Vincent also sharpens his artistic vision. The result is a thoughtful meditation on the inner forces that would come to define both his work and his stru...
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Double Indemnity ★★★ Richmond Theatre | March 3 - 7, 2026

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James M. Cain’s tale of murder and betrayal remains a classic of hard boiled crime fiction. Younger audiences may not remember Double Indemnity , Billy Wilder’s extraordinary film noir starring Fred MacMurray as the smart aleck insurance salesman drawn into a murderous scheme by the ultimate femme fatale, played by Barbara Stanwyck. In this stage adaptation, Tom Holloway has altered the names of the two central characters slightly, but their personalities remain recognisably the same. As the fast talking operator who is thoroughly outmanoeuvred by a seductive schemer, Ciarán Evans serves as both narrator and protagonist. For the most part he captures the stylised delivery associated with the genre, though there are moments when the performance tips from deliberate artifice into something that feels a little forced. The production also struggles with its central relationship. Mischa Barton cannot quite match Stanwyck’s glacial brilliance, and her seductive power and calculated manipulat...
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Savage ★★ White Bear Theatre | Feb 25 - Mar 15, 2026

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Savage confronts a historically shocking and distressingly contemporary issue: the targeting of homosexual men with conversion therapy. The play recounts the horrific experiments carried out under the Nazi regime in Denmark to "cure" homosexuality and tells the true story of Dr Vaernet, who collaborated with Hitler’s regime in the belief that sexual orientation could be changed. This historical reality is dramatised through the story of Nikolai, a young Danish man, and his American lover, Zack. While Zack manages to escape the Nazi experiments, Nikolai endures them. Regrettably, this crucial historical legacy is presented simplistically and didactically. The characters are one-dimensional, and the plot is entirely predictable. The revelation that the Nazi persecutor of Nikolai is himself gay is unsurprising. It is almost a cliché that much homophobia is driven by repression of one’s own desires.The play’s simplistic characterisation is exacerbated by the production. Despite ...
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ABBA Voyage ★★★★★ ABBA Arena, Queen Elizabeth Olympic Park | Extended Run

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When great music from the past meets mind boggling technology from the future, the result is ABBA Voyage . This is a concert like no other. In a purpose built arena designed specifically for the show, massive high resolution LED screens, advanced lighting, and surround sound are used to create a fully immersive ABBA concert experience. Although the group’s last appearance in London was at Wembley Arena in 1979, they return technologically in this extraordinary production. These are not holograms or AI generated performances. This is a meticulously animated concert based on real performances by the band themselves. To achieve this effect, the group came together and re-performed their music using motion capture technology. They partnered with top visual effects experts to digitally recreate their younger selves. While the show includes a live band and backup singers, the Agnetha, Björn, Benny, and Anni-Frid seen on stage appear every bit as real as their original counterparts. One quick...
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Marie & Rosetta ★★★★ @sohoplace | Feb 28 - Apr 11, 2026

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Even rock 'n' roll enthusiasts may not immediately recognise the names Sister Rosetta Tharpe and Marie Knight, yet this delightful musical makes a persuasive case for their inclusion in any contemporary music hall of fame. The show opens as the pair embark on their first joint tour across the segregated Southern states, and their growing sisterhood becomes a neat metaphor for the hybrid sound they helped to shape. The production handles the uneasy relationship between sacred and secular with intelligence. Conversations between the two women explore whether the energy and joy of religious music should be translated into a secular context, and this debate neatly mirrors their own developing relationship. The tension between gospel and the emerging sounds of popular music runs throughout the narrative, but while the history and musicology are intriguing, the real pleasure of the evening lies in the performances themselves. Onstage, the inimitable Beverley Knight is incandescent as...
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The City Life Magazine | Reviews & Ratings