Is the ability to entertain a paradox the difference between human intelligence and AI? If this is the kind of question that fascinates you, then this is a must-see show. Beau Willimon has written an intelligent thriller that challenges both metaphysical and epistemological preconceptions. It focuses on two programmers, Lena and Sasha, who may, or may not, have enabled the AI system, Logos, to become an entity which can no longer be controlled by its creators. Are they the "parents" of a new superior form of consciousness or are they dooming the human race to extinction? The questions abound, and the play is rife with religious connotations starting with the very name of the AI system. Lena, convincingly played by Kaya Scodelario, has been raised in a Mennonite community which eschews technology, but having embraced it, she may now have a motive for wishing to free it from the shackles of another society that is trying to deny its part in the future. Her partner, Sasha, ably ...