Theatre: Lotteries

The Book of Mormon £20 tickets

Online via official website: Entries accepted before 12:00 pm Wednesday for 2 tickets for each performance for the following week. You select time and date.

In Person: Show up at the theatre 2.5 hours before the performance and apply. For shows at 7.30 pm show up at 5:00 pm. Winners announced at 5.30 pm.

20 tickets or more for every performance.
Hamilton £10 tickets

 Online via official website or app: Entries accepted before 2:00 pm the day prior to Tue - Sat performances accepted. Entries accepted before 2:00 pm the Sat prior to Mon performances. Winners announced at approximately 3:00 pm.

Referred to as “Lucky Seat” A limited number of tickets are available per performance.
Matilda £25 tickets

 Online via official website: Entries accepted in the 2 week period before a performance for 2 Band A seats. Winners are selected 3 - 5 days in advance and notified by email.
School of Rock £15 tickets

 Online via official website: Entries accepted in the 2 week period before a performance for 2 Band A seats. Winners are selected 3 - 5 days in advance and notified by email.
Harry Potter and The Cursed Child £20 tickets (£40 for both parts)

Online via official website: 40 tickets are released every Fri 1:00 pm for every performance of the following week. Everyone clicking the “Book Tickets” button at 1:00 pm is assigned a place in the virtual queue. Randomly selected winners are allowed to order a maximum of 2 tickets for two consecutive performances.

 Referred to as ‘The Friday Forty.’
Everybody is Talking about Jamie £20 tickets

Online via official website: Entries accepted before 3:30 pm for 2 tickets for that day’s performance. Winners announced 3 hours before the performance.
The Lion King £25 tickets

In person: Show up 2.5 hours before the performance for the chance to win 2 tickets.
National Theatre £20 tickets

Online via official website: Every Friday for each show across all 3 theatres there is an online lottery at 1:00 pm for all performances.

Most Popular

The Divine Mrs S ★★★ Hampstead Theatre | Mar 22 - Apr 27, 2024

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Sarah Siddons was the most influential actress of her day. She was famed for her portrayal of Lady Macbeth and has been credited with the creation of the modern notion of celebrity. Borrowing an epithet most often associated with Sarah Bernhardt, playwright April De Angelis contrasts how Mrs Siddons is celebrated on stage but is confined by both her gender and her marital status when off. She is patronised by her actor/manager brother and her money is taken by her estranged and philandering husband. In the theatre, Siddons may experience power over her audience, but in real life she is subject to the patriarchal hierarchy of her time. This point is made obviously and repeatedly throughout the play which presents the great tragedienne's life in an almost farcical style. While the show exists in a historical context it is not bound, linguistically or factually, by that reality. The plot and characters recall a Regency comedy. They are representations of types, bearing little relation...
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Summer Exhibition 2026 ★★★★ Royal Academy of Arts | Jun 16 - Aug 23, 2026

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The theme of the 258th Summer Exhibition, “Interconnectedness,” makes tracing links between the works on display both a fascinating and at times overwhelming experience. While this year’s works on view appear to contain less overt political commentary and fewer instances of humour than is often typical of such events, both are still present in striking moments. Tim Shaw’s powerful portrayal of Donald Trump and Vladimir Putin in Pin It On Them (Associated Artwork From the Installation: Shut It Piggy) (555) can be juxtaposed with the playful absurdity of Joey Rutherford’s Pickle With a Pearl Earring (1110) , reminding viewers of the range of tones running through the exhibition. Alongside these, there are the usual charming animal representations, including our favourite, the highly realistic cat in Thus Regard Palmerston (793) , as well as the standard attempts to shock and provoke, such as Tracey Emin’s There Is An End To Everything (674) . The collection continues to move between cur...
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St. Martin in-the-fields: Lunchtime Concerts ★★★★ FREE

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Maybe the best musical value in London. The lunchtime concerts at St. Martin's are always a wonderful way to escape the hustle and bustle that is London and the sensory overload that is Trafalgar Square. This is a beautiful setting with great acoustics, and a church pew hard enough to make sure you don't nod off. Reviewed by J.C.  Our score:    ☆☆☆☆  WHEN, WHERE, GETTING THERE: Mon & Fri: 1 pm - 1:45 pm ( occasionally Tues & Thurs)  St. Martin in-the-fields, Trafalgar Square Nearest tube: Charing Cross https://www.stmartin-in-the-fields.org/whats-on
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ABBA Voyage ★★★★★ ABBA Arena, Queen Elizabeth Olympic Park | Extended Run

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When great music from the past meets mind boggling technology from the future, the result is ABBA Voyage . This is a concert like no other. In a purpose built arena designed specifically for the show, massive high resolution LED screens, advanced lighting, and surround sound are used to create a fully immersive ABBA concert experience. Although the group’s last appearance in London was at Wembley Arena in 1979, they return technologically in this extraordinary production. These are not holograms or AI generated performances. This is a meticulously animated concert based on real performances by the band themselves. To achieve this effect, the group came together and re-performed their music using motion capture technology. They partnered with top visual effects experts to digitally recreate their younger selves. While the show includes a live band and backup singers, the Agnetha, Björn, Benny, and Anni-Frid seen on stage appear every bit as real as their original counterparts. One quick...
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The Misanthrope ★★★ National Theatre | Jun 16 - Aug 1, 2026

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Martin Crimp’s reimagining of The Misanthrope relocates Molière’s classic into a contemporary world of artists and intellectuals, centring on Alice, a feminist novelist who rails against what she sees as the hypocrisy of modern society. From the outset, Crimp signals his ambition to bridge two worlds: the formal, structured society of Molière’s Louis XIV court and the looser, more performative social codes of the present day. Yet this balancing act proves uneasy. The production never fully settles into either register. It is neither convincingly contemporary nor persuasively classical, instead hovering in an uncertain space where stylisation overwhelms dramatic credibility. The play opens with a lengthy exchange between Alice and her playwright friend John, in which her ideas are set out in carefully constructed speeches that feel less like dialogue than set pieces. Even among a cast of writers, actors and musicians, the conversations often do not seem natural, and the interactions ne...
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Hepworth in Colour ★★★★ The Courtauld Gallery | Jun 12 - Sep 6, 2026

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This exhibition is a thoughtful examination of an aspect of Barbara Hepworth's work that has long been under-appreciated. Bringing together twenty of Hepworth's abstract sculptures and thirty drawings, it focuses on her innovative use of colour to transform the internal spaces of her sculptures into expressive elements in their own right. As war broke out, Hepworth moved with her husband, Ben Nicholson, to Cornwall. With her preferred materials in short supply, she increasingly turned to plaster, using paint to animate and define the interior surfaces of her sculptures. Richly coloured interiors are often accentuated by strings of contrasting shades, creating a dynamic interplay between surface, space and line. Thirteen of the sixteen painted sculptures Hepworth created during the 1940s are displayed here, although the exhibition also extends into works produced during the 1950s and 1960s. The two-gallery presentation on Floor 3 is complemented by photographs of Hepworth and Ni...
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−320°F ★★★★ Sadler's Wells Theatre | July 2 - 11, 2026

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For anyone captivated by Hideki Noda's A Night at the Kabuki at Sadler's Wells in 2022, this is a joyous return. For everyone else, it will probably be unlike anything they have seen before. Noda gleefully takes Western myths and cultural touchstones, then hurls them into a wildly inventive Japanese theatrical landscape that leaves audiences laughing, pondering and frequently bewildered. The result is a banquet of spectacle, comedy and big ideas. Like any all-you-can-eat buffet, it is both irresistible and overwhelming. There is so much happening that following the plot becomes almost impossible. It stretches across the modern, medieval and ancient worlds, with a detour through the heavens for good measure. The action begins with God complaining to the angels that humanity has built the Tower of Babel in an attempt to reach him. From there, the play hurtles through the Faust legend and the tale of the Pied Piper of Hamelin, while weaving in a corporate power struggle that appe...
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Sinatra The Musical ★★★★ Aldwych Theatre | Until April 10, 2027

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Sinatra The Musical offers a sleek, visually striking journey through the life and legend of Frank Sinatra, though it often seems more like a carefully curated scrapbook than a fully rounded portrait of its subject. This is very much a polished, expurgated version of Sinatra's life, one that prefers glamour and momentum over the more troubling or complex edges of Sinatra’s life. There are references to his mafia connections while his philandering, although a major part of the story, somehow feels sanitised. The show precedes the infamous Rat Pack years and centres on the teenage heartthrob who lost his fame and then made a comeback with the film From Here to Eternity . This is a production, like Sinatra himself, with an abundance of style. The visuals are consistently impressive, moving with cinematic fluidity between recording studios, Hollywood sets and various homes. The sheen of mid-century show business is captured with real flair, creating a world that is as seductive as it ...
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Shear Madness ★★★★ The Mill at Sonning | Jun 25 - Aug 15, 2026

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Shear Madness is both a play and a theatrical phenomenon. Based on a 1963 German experimental drama, Bruce Jordan and Marilyn Abrams transformed it into a comedy set in a hair salon. Their adaptation premiered in a small village in upstate New York in 1976 before moving to Boston in 1980, where the show enjoyed an extraordinary forty-year run, finally closing in 2023. Since then, it has been translated into numerous languages and produced around the world, confirming its status as a cut above the average whodunit. The action takes place in a bustling hair salon where two stylists and four customers learn that the upstairs neighbour, a former concert pianist, has suffered the unkindest cut of all. When the police arrive, the audience is enlisted to comb through the evidence, cut through the misdirection, and tie up the loose ends. The first act is packed with sharp one-liners and an infectious energy that keeps events clipping along at a brisk pace. The cast is excellent, with standout...
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To Kill a Mockingbird ★★★★★ Wyndham’s Theatre | Jun 25 - Sep 12, 2026

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Many readers first encountered To Kill a Mockingbird in the classroom, where Harper Lee's novel has long been a staple of English literature courses. Its exploration of racism, morality and the loss of childhood innocence has become familiar territory for generations of students. The story also lives on through Robert Mulligan's celebrated 1962 film adaptation, in which Gregory Peck delivered his Academy Award-winning performance as Atticus Finch. His portrayal of the principled lawyer and widowed father who defends a Black man falsely accused of raping a white woman in 1930s Alabama remains one of cinema's defining performances. That legacy presents a formidable challenge for Aaron Sorkin's stage adaptation, as well as for Richard Coyle in the iconic role of Atticus. Happily, both rise to the occasion. Sorkin's adaptation remains faithful to the moral force of Lee's novel while giving the drama a powerful sense of urgency and theatrical momentum. Rather than f...
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