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Step into the refreshment room at Milford Junction railway station and you are likely to overhear some interesting snippets of conversation. The voices belong to the characters of Noël Coward’s Still Life, which has transferred to Theatre Royal Drury Lane from the Mill at Sonning. Written in 1936 and later immortalised by David Lean’s classic film Brief Encounter, Coward’s short play is presented as an intimate immersive experience, complete with afternoon tea. It is a clever and convincing combination. Theatre Royal Drury Lane is a lovely setting, with its bar transformed into a charming station refreshment room, while the audience becomes the actors' fellow passengers and customers. Having tea while watching first-rate theatre seems entirely natural, and both the tea and the drama are particularly good. The savouries, scones and sweets are on a level with some of the nicer teas in London, and Coward's drama is wonderfully romantic and wistful. The quality of the performances is excellent. Alasdair Craig and Rachel Pickup are perfect as Alec Harvey and Laura Jesson, the accidental lovers caught between desire and duty. Neither succumbs to melodrama, instead capturing the conventions and constraints of a very different era and making their predicament both believable and poignant. Their performances are subtle and sincere, avoiding both parody and sentimentality. Elizabeth Elvin is comic gold as Myrtle Bagot and Dolly Messiter, bringing sparkle and energy to both roles, while Tam Williams’s assured direction makes excellent use of the space and keeps the audience involved. The unconventional setting does raise one question, however: does everyone get an equally good view and hear every exchange? With the action unfolding around the room rather than on a conventional stage, sightlines inevitably vary, while the informal layout may make some dialogue harder to catch from certain seats. The intimacy is undoubtedly part of the appeal, but it may not be as successful for every member of the audience. That aside, unlike many immersive productions, this never feels forced or artificial. Eating, drinking and eavesdropping on the staff and fellow travellers seem entirely natural in this setting. With its beautiful venue, fine performances and a first-rate tea, this is a thoroughly enjoyable experience and probably the best value in the West End.
Rated: ★★★★★
Reviewed by J.C.
Photo by Andreas Lambis
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