To Kill a Mockingbird ★★★★★ Wyndham’s Theatre | Jun 25 - Sep 12, 2026


Many readers first encountered To Kill a Mockingbird in the classroom, where Harper Lee's novel has long been a staple of English literature courses. Its exploration of racism, morality and the loss of childhood innocence has become familiar territory for generations of students. The story also lives on through Robert Mulligan's celebrated 1962 film adaptation, in which Gregory Peck delivered his Academy Award-winning performance as Atticus Finch. His portrayal of the principled lawyer and widowed father who defends a Black man falsely accused of raping a white woman in 1930s Alabama remains one of cinema's defining performances. That legacy presents a formidable challenge for Aaron Sorkin's stage adaptation, as well as for Richard Coyle in the iconic role of Atticus. Happily, both rise to the occasion. Sorkin's adaptation remains faithful to the moral force of Lee's novel while giving the drama a powerful sense of urgency and theatrical momentum. Rather than feeling overawed by its celebrated predecessors, this production confidently establishes its own identity. Coyle wisely avoids simply imitating Peck's quiet authority. Instead, he presents Atticus as a thoughtful, humane man whose decency is tempered by vulnerability and occasional frustration. His performance combines warmth, intelligence and quiet conviction, making the character's unwavering commitment to justice all the more compelling. The supporting cast is equally impressive. Dyan Malyn is a delight as Dill, bringing infectious energy, humour and emotional honesty to every appearance. It is a genuinely scene-stealing performance. Oscar Pearce is chilling as Bob Ewell, capturing the character's bitterness, violence and barely concealed menace with frightening intensity. Aaron Shosanya brings dignity and quiet heartbreak to Tom Robinson, ensuring that the injustice at the heart of the story resonates with devastating force. Anna Munden gives an engaging and spirited performance as Scout, whose perspective anchors the drama, although her attempt at a Southern accent is distracting and never entirely convincing. What ultimately makes this production so successful is its refusal to treat To Kill a Mockingbird as a museum piece. The themes of prejudice, integrity and moral courage continue to feel painfully relevant, and the production trusts both the audience and the material to make those connections with the present day. With a superb central performance from Richard Coyle and outstanding work from the supporting cast, this is a thoughtful, emotionally powerful and deeply rewarding evening of theatre.

Rated: ★★★★★

Reviewed by J.C.
Photo by Johan Persson

When, Where, Getting there:
Map & Location: Charing Cross Rd, London WC2H 0DA, UK

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