West End Live, Trafalgar Square ★★★★ FREE


Hear a sample of what the West End has to offer as casts from all of your favourite musicals come out and belt it out. Even if you're not a big musical fan this event is great fun, and it is wonderful to see the amazing depth of talent that West End Live provides for locals and visitors alike. With over fifty performances there is something for all tastes. This is a chance to reminisce about shows you have seen and to get a sample of those that might be on your list. Wicked, Everybody's Talking About Jamie, The Lion King, Phantom of the Opera and many more... This is always a popular experience so there may be some queuing. There's lots of room and two gates which open shortly before the performances begin. People come and go throughout the day so you are sure to get in.

Reviewed by J.C.

 Our Score:  ☆☆☆☆ 

WHEN, WHERE, GETTING THERE:
Last Reviewed: June 2020
Trafalgar Square
Nearest tube: Charing Cross
https://www.westendlive.co.uk
Map & Location: Trafalgar Square, Charing Cross, London WC2N 5DN, UK

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Coven ★★ Kiln Theatre | Until January 17, 2026

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Coven seeks to transform the seventeenth-century obsession with witches into a musical in the spirit of Six . The historical horror becomes an anachronistic retelling inspired by the Pendle Witch Trials and by the idea that Jenet Device, a child witness in the 1612 trials, later became a victim of the dark arts hysteria in 1633. In the first act, Jenet is imprisoned with several women accused of witchcraft although their 'crimes' really consist of practicing natural healing, assisting in childbirth, or offending powerful men. All are victims of a repressive patriarchy, an authoritarian church, and a deeply corrupt legal system. However, the portrayal of these women and their stories feels heavy-handed, and by the end of Act I the central narrative and main character remain uncertain. Only in the second act, through a flashback that explores Jenet’s psyche, do we learn her history and recognise her as the true protagonist. The scattered plot threads from the first act then begi...
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St. Martin in-the-fields: Lunchtime Concerts ★★★★ FREE

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Maybe the best musical value in London. The lunchtime concerts at St. Martin's are always a wonderful way to escape the hustle and bustle that is London and the sensory overload that is Trafalgar Square. This is a beautiful setting with great acoustics, and a church pew hard enough to make sure you don't nod off. Reviewed by J.C.  Our score:    ☆☆☆☆  WHEN, WHERE, GETTING THERE: Mon & Fri: 1 pm - 1:45 pm ( occasionally Tues & Thurs)  St. Martin in-the-fields, Trafalgar Square Nearest tube: Charing Cross https://www.stmartin-in-the-fields.org/whats-on
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The Holy Rosenbergs ★★★★★ Menier Chocolate Factory | Feb 27 - May 2, 2026

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In 2011, Ryan Craig wrote a play about the first Gaza war of 2009. The work carries an even deeper resonance in today’s fraught political climate. David Rosenberg once ran a successful Jewish catering business, but he has fallen on hard times after a rumour spread through the neighbourhood that his food caused a woman’s death by food poisoning. His wife Lesley believes they should leave the area that has now turned its back on them, but David is determined to restore his reputation. The fact that their son died defending Israel is seen as a way of re-establishing the family’s standing among those around them. Yet their daughter’s involvement in an inquiry that may bring charges against the Jewish state for its conduct during the 2009 Gaza war threatens this fragile hope of acceptance. The family’s predicament becomes a microcosm of a larger dilemma. At what point do the rewards of belonging to a family, a community, or a nation demand a loyalty that endangers personal integrity, and ho...
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English National Ballet - Body & Soul ★★★ Sadler's Wells Theatre | March 19 - 28, 2026

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This latest offering from the English National Ballet presents two works loosely connected by the theme of body and soul. The first, by the renowned choreographer Crystal Pite, is titled Body and Soul (Part 1). Set to a French text that largely describes the dancers’ movements, it unfolds across eight brief scenes. The piece is at its most evocative when Pite deploys a large group of dancers, creating exquisite passages such as the mirroring of the rhythmic surge of waves against the shore. However, the work lacks the narrative richness found in some of Pite’s finest creations, such as Revisor and Assembly Hall . While there are undeniably striking moments and some fine pas de deux , the production also fails to attain the level of her more abstract achievements, such as Figures in Extinction . Even so, encountering Pite’s choreography remains a consistently rewarding experience. The second piece, Proper Conduct , is a new work by Kameron N. Saunders. Divided into three parts, it unf...
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Mary, Queen of Scots ★★★★★ Sadler's Wells Theatre | March 5 - 8, 2026

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In 2019, to celebrate its 50th-anniversary season, Scottish Ballet commissioned five new works. The fifth and final of these, Mary, Queen of Scots , is choreographed by the company’s resident choreographer Sophie Laplane with an original score by Mikael Karlsson and Michael P. Atkinson. The result is a work of striking theatrical imagination and choreographic ambition. The ballet unfolds in the winter of Elizabeth I’s life. The ageing queen looks back on her turbulent relationship with her cousin Mary and the chain of events that ultimately led to Mary’s execution at Elizabeth’s command. Memory merges with imagination throughout the narrative. While the broad sweep of history remains intact, the work allows itself moments of poetic licence that deepen its emotional resonance. We first encounter Mary at the French court where she marries Francis II. His death leaves her estranged from her formidable mother-in-law Catherine and forces her return to Scotland. She is accompanied by the mus...
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Vincent in Brixton ★★★★ Orange Tree Theatre | Mar 14 - Apr 18, 2026

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Vincent van Gogh spent two distinct periods in London. He stayed for two years from 1873 to 1875 before returning briefly in 1876. During his first stay he lodged with Ursula Loyer and fell in love with her daughter, Eugénie, who rejected him. Nicholas Wright’s play Vincent in Brixton reimagines this episode, deepening it into a more intricate emotional entanglement for the young art dealer’s assistant who would later become one of the most celebrated artists of all time. The play presents Van Gogh as a blunt, almost gauche young man with a striking lack of social restraint. His speech is impulsive, unguarded, and at times painfully direct, yet this very openness lends him a disarming vulnerability. Wright uses this quality to explore the tension between naivety and perception, suggesting that the same emotional candour that isolates Vincent also sharpens his artistic vision. The result is a thoughtful meditation on the inner forces that would come to define both his work and his stru...
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The Old Ladies ★★★★ Finborough Theatre | Mar 24 - Apr 19, 2026

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When the timid and impecunious Miss Beringer moves into her new lodgings, she is warmly received by her sympathetic and kindly landlady, Mrs Amorest. However, her relationship with her fellow lodger soon proves far more fraught. It becomes clear that the formidable, almost malevolent, Mrs Payne covets Miss Beringer’s sole possession of value, a piece of amber given to her by a friend who has moved to India. Written in 1935 by Rodney Ackland and adapted from Hugh Walpole’s earlier novel, the play is a slender Gothic thriller that faintly echoes the macabre sensibilities of a short story by Edgar Allan Poe. The narrative itself is insubstantial, and the piece relies heavily on atmosphere and sharply etched characterisation. In both respects, this production proves strikingly effective. Juliette Demoulin’s set design conjures a vivid sense of shabby, faintly sinister decay, while Carla Joy Evans’s costumes are impeccably judged, ranging from the frayed gentility of Mrs Amorest and the uno...
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Marie & Rosetta ★★★★ @sohoplace | Feb 28 - Apr 11, 2026

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Even rock 'n' roll enthusiasts may not immediately recognise the names Sister Rosetta Tharpe and Marie Knight, yet this delightful musical makes a persuasive case for their inclusion in any contemporary music hall of fame. The show opens as the pair embark on their first joint tour across the segregated Southern states, and their growing sisterhood becomes a neat metaphor for the hybrid sound they helped to shape. The production handles the uneasy relationship between sacred and secular with intelligence. Conversations between the two women explore whether the energy and joy of religious music should be translated into a secular context, and this debate neatly mirrors their own developing relationship. The tension between gospel and the emerging sounds of popular music runs throughout the narrative, but while the history and musicology are intriguing, the real pleasure of the evening lies in the performances themselves. Onstage, the inimitable Beverley Knight is incandescent as...
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Arcadia ★★★★★ The Old Vic | Jan 24 - Mar 21, 2026

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This splendid revival of Tom Stoppard’s masterpiece is definitely one of this year’s must-see productions. Intellectually demanding yet fizzing with wit, the play is brought vividly to life by a uniformly outstanding ensemble. Seamus Dillane is superb as the rakish tutor Septimus Hodge, delivering a performance of effortless charm and sly intelligence, while Matthew Steer is irresistibly funny as the mock poet/scientist and hapless cuckold Ezra Chater. Isis Hainsworth is luminous as the prodigy Thomasina, blending youthful grace with startling intellectual authority, and Fiona Button is deliciously bold as her mother, the gloriously predatory Lady Croom. Set in both the nineteenth and twentieth centuries, Arcadia explores how we confront death and search for meaning in our lives. Its title suggests Poussin's pastoral painting with the tombstone in its foreground, et in Arcadia ego . Faced with this existential problem, the play suggests two possible routes to understanding: scienc...
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Savage ★★ White Bear Theatre | Feb 25 - Mar 15, 2026

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Savage confronts a historically shocking and distressingly contemporary issue: the targeting of homosexual men with conversion therapy. The play recounts the horrific experiments carried out under the Nazi regime in Denmark to "cure" homosexuality and tells the true story of Dr Vaernet, who collaborated with Hitler’s regime in the belief that sexual orientation could be changed. This historical reality is dramatised through the story of Nikolai, a young Danish man, and his American lover, Zack. While Zack manages to escape the Nazi experiments, Nikolai endures them. Regrettably, this crucial historical legacy is presented simplistically and didactically. The characters are one-dimensional, and the plot is entirely predictable. The revelation that the Nazi persecutor of Nikolai is himself gay is unsurprising. It is almost a cliché that much homophobia is driven by repression of one’s own desires.The play’s simplistic characterisation is exacerbated by the production. Despite ...
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The City Life Magazine | Reviews & Ratings